Film
duologue
Comedy
Comedy-Drama

Alison, Ben — Yeah. So, I have something I really

from Knocked Up

Written by Judd Apatow

Knocked Up

Alison reveals she is pregnant after their one-night stand, leading to a heated and absurd argument about birth control and personal responsibility.

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Scene PreviewExcerpt — subscribe to read full scene

ALISON

Yeah. So, I have something I really need to tell you. It’s kind of why I called you. Here it goes. I’m pregnant.

BEN

Fuck off.

ALISON

What?

BEN

What?

ALISON

I’m pregnant...?

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Scene Notes & Audition Tips

5 sections
About This Scene

This contemporary comedic duologue from the film *Knocked Up* captures a pivotal and highly awkward conversation between Alison and Ben. It immediately thrusts both characters into a high-stakes conflict as Alison reveals her unexpected pregnancy from their recent one-night stand. The scene quickly escalates into a frantic, blame-shifting argument about birth control and responsibility, highlighting their contrasting reactions to this life-altering news. This dialogue is rich with rapid-fire exchanges, showcasing the characters' immaturity and panic in a deeply uncomfortable situation.

Character Analysis

Alison, a character in her 20s, faces the daunting task of delivering shocking news to a virtual stranger, revealing a vulnerability beneath her initial directness. Her character grapples with disbelief and frustration as Ben’s reaction veers into denial and absurd accusations. Ben, also in his 20s, embodies the Everyman archetype thrust into an unthinkable predicament, reacting with a mixture of shock, anger, and a desperate, albeit misguided, attempt to deflect blame. His character displays a panicked immaturity, resorting to increasingly outlandish logic to justify his actions and avoid responsibility.

Why This Works for Auditions

This scene offers exceptional material for auditions due to its immediate conflict and high emotional stakes, allowing actors to showcase a wide range of comedic and dramatic abilities within a short timeframe. The rapid-fire dialogue demands strong listening skills and quick reactions, making it an excellent vehicle to demonstrate responsiveness and comedic timing. Its contemporary setting and relatable themes of unexpected consequences and relationship miscommunication resonate broadly, providing a compelling and memorable performance opportunity. The scene also highlights distinct character voices, enabling actors to clearly differentiate their choices.

Best Suited For

This duologue is best suited for actors in the 18-25 age range, particularly those looking to portray Everyman or Girl Next Door types with a strong comedic edge. It is an ideal choice for actors aiming for roles in contemporary comedies, especially those requiring characters who can navigate awkward situations with a blend of vulnerability and sharp wit. The scene's intense yet humorous argument dynamic makes it perfect for actors seeking to demonstrate their capability in high-energy, confrontational comedic roles, making it suitable for agent showcases and self-tapes.

Performance Tips

When approaching this scene, actors should focus on the underlying panic and genuine shock experienced by both Alison and Ben, even amidst the comedic delivery. Lean into the rhythm of the rapid-fire dialogue, ensuring each line feels like a reactive, organic response rather than a pre-planned retort. For Alison, explore the complex blend of fear, indignation, and a touch of the absurd as she tries to convey her news and defend herself. For Ben, highlight his desperate attempts at deflection and his escalating, often ridiculous, rationalizations to underscore his immaturity and fear.

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