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duologue
comedy

Ally McBeal - The Pringles War

from Ally McBeal

Written by David E. Kelley

Ally McBeal

A comedic, petty Ally & Woman's duologue from "Ally McBeal" by David E. Kelley.

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ALLY

Excuse me, I was taking those. WOMAN Oh, I'm sorry. I didn't see you. I just grabbed them.

ALLY

Well, I was clearly reaching for them. My hand was practically on the can. WOMAN I apologize. But I have them now. Find another can.

ALLY

There are no other cans. This is the last one. And I was here first. WOMAN First come, first served, darling. And I…

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Scene Notes & Audition Tips

5 sections
About This Scene

This duologue from the classic television series "Ally McBeal" presents a highly comedic and petty argument between Ally and an unnamed Woman over a can of Pringles in a supermarket. Written by David E. Kelley, it perfectly captures the quirky, often absurd tone of the show. The scene escalates quickly from a minor disagreement about grocery store etiquette to a full-blown verbal sparring match, revealing the characters' underlying frustrations and competitive natures.

Character Analysis

Ally, a core character from the show, is portrayed here as irritable and prone to exaggerated self-pity, believing she "deserves" the last can of Pringles after a bad day. The Woman, while unnamed, is equally stubborn and quick-witted, ready to fabricate sob stories to justify her claim and challenge Ally's sense of entitlement. Both characters are articulate, sharp-tongued, and relentless in their pursuit of a petty victory, showcasing a blend of self-absorption and a surprisingly fierce competitive spirit. They each present a facade of victimhood while aggressively asserting their dominance.

Why This Works for Auditions

This scene is an excellent choice for auditions due to its comedic timing, clear dramatic arc, and the opportunity it provides for an actor to showcase their ability to build and sustain a high-energy conflict. The dialogue is snappy and intelligent, demanding quick responses and sharp delivery. It allows actors to demonstrate versatility by transitioning from exasperation to indignation, and even to a touch of theatrical melodrama, all within a short timeframe. The petty nature of the conflict makes the humor land effectively, highlighting a character's ability to imbue even trivial situations with significant emotional weight.

Best Suited For

This duologue is best suited for adult female actors looking for comedic audition material that requires strong verbal sparring and character-driven humor. It’s ideal for those who excel at playing quirky, quick-witted, or slightly neurotic characters who can convincingly escalate a minor situation into a memorable comedic confrontation. Actors aiming for roles in contemporary comedy, particularly those with a leaning towards lighthearted yet sharp dialogue, will find this scene particularly effective. It also works well for performers interested in showcasing an "everyperson" quality with an underlying edge.

Performance Tips

When performing this scene, focus on the rapid-fire exchange and the underlying emotional stakes, however petty they may seem. Both characters believe they are entirely justified, so lean into that conviction without making them unlikable; find the humor in their stubbornness. Pay close attention to reactions and listen intently to your scene partner, as the dialogue is designed to build off each other's lines. Embrace the escalating absurdity and allow the physical comedy, even if subtle, to support the verbal sparring. Remember that the "bad day" monologues, while manipulative, also hint at deeper, unaddressed frustrations for each character.

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