Film
monologue
Thriller
Drama

Bergman — Are you fucken with me? Are you fucken with

from Heist

Written by David Mamet

Heist

Bergman delivers a ruthless ultimatum over the phone, threatening to expose his associate unless they complete the job as promised.

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BERGMAN

Are you fucken with me? Are you fucken with me, or are you done fucken with me? Because I've just "financialized" the problem, and you've just become more trouble than you're worth. She says you're gonna do the job. You said that before, why now? What is it, all a sudden...? Everyone needs money. That's why they call it "money..." Well, let me add…

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Scene Notes & Audition Tips

5 sections
About This Scene

This intense monologue features Bergman, a powerful and ruthless character from the film *Heist*, delivering a scathing ultimatum over the phone. Bergman is clearly exasperated and fed up with his associate's perceived inaction or betrayal. He leverages a severe threat of exposure and legal repercussions to ensure the job gets done, revealing a shrewd and unforgiving nature. The scene builds tension as Bergman asserts his dominance, reminding his associate of the high stakes involved in their criminal enterprise.

Character Analysis

Bergman is an authority figure within a criminal world, characterized by his sharp wit, aggressive demeanor, and pragmatic approach to problems, which he refers to as "financializing." He operates with a cold logic, understanding that "everyone needs money" and using this universal motivator to his advantage. Despite his vulgar language and violent threats, there's a calculated intelligence behind his words, particularly his manipulative apology for his language "in front of a Woman," which adds a layer of hypocritical menace. This character embodies a dangerous blend of cunning and brute force, accustomed to getting his way through intimidation.

Why This Works for Auditions

This monologue is an excellent choice for actors looking to showcase their ability to portray complex, intense characters. It provides ample opportunity to explore a wide range of emotions within a focused, high-stakes context, from simmering frustration to outright menace. The telephone format demands a strong, clear vocal performance and the ability to convey power and threat without a scene partner physically present, which is a valuable skill for self-tapes. Its thriller genre allows for a dynamic and captivating performance that can impress casting directors with a commanding presence.

Best Suited For

This scene is particularly well-suited for male actors aged 55+ who can convincingly embody a powerful, intimidating presence. It's ideal for those targeting roles such as Villains, Authority Figures, or Criminals, especially if they need to demonstrate an ability to play tough, uncompromising individuals. The contemporary period and intense tone make it versatile for general practice, self-tapes, and even agent-showcases where a strong, character-driven piece is desired. Actors comfortable with confrontational material and a fast-paced delivery will shine in this role.

Performance Tips

When approaching Bergman, focus on the underlying intelligence and strategic thinking behind his anger. While his words are aggressive, his goal is control and compliance, not just rage. Utilize the pauses effectively to build tension and allow the weight of his threats to land. Consider how the "Woman" he mentions influences his tone and delivery; is it a genuine concern, or another layer of psychological manipulation? Pay close attention to vocal dynamics, transitioning from frustrated annoyance to chilling menace, ensuring each threat carries significant weight.

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