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    Comedy

    Borachio and Conrade: A Deformed Thief

    from Much Ado About Nothing

    Written by William Shakespeare

    Borachio and Conrade: A Deformed Thief from Much Ado About Nothing — audition scene

    Borachio confesses to Conrade how he successfully deceived Claudio and the Prince into believing Hero has been unfaithful, detailing the plot orchestrated by Don John.

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    BORACHIO

    Not so, neither: but know that I have to-night wooed Margaret, the Lady Hero's gentlewoman, by the name of Hero: she leans me out at her mistress' chamber-window, bids me a thousand times good night,--I tell this tale vilely:--I should first tell thee how the prince, Claudio and my master, planted and placed and possessed by my master Don John,…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Set in William Shakespeare's comedy *Much Ado About Nothing*, this classical duologue captures a shadowy moment of villainy and conspiratorial boasting. Borachio reveals to his companion Conrade the full details of an elaborate deception orchestrated alongside Don John, explaining how he tricked Claudio and the Prince into believing Hero has been unfaithful. The scene blends sharp prose and dark comedic betrayal, creating an engaging shift in dramatic tension.

    Character Analysis

    Borachio is an opportunistic operative who finds himself torn between nervous suspicion and self-satisfied pride in his cunning actions. He is talkative, unpredictable, and eager to recount how his scheme succeeded, shifting erratically between philosophical rambling and explicit confession. Conrade acts as the practical sidekick and loyal confidant, keeping a steady head while sharply prodding Borachio to abandon his tangents and finish telling the crucial story.

    Why This Works for Auditions

    This piece provides two actors with a vibrant classical showcase centered on rapid dialogue, shifting tactical control, and narrative exposition. Rather than relying on familiar romantic tropes from Shakespearean comedy, it leans into villainous scheming and conspiratorial energy without losing its comedic spark. Auditors can clearly observe each actor's command of heightened prose, physical specificity, and responsive, active listening within a tight two-minute frame.

    Best Suited For

    This duologue is well suited for drama school auditions, classical competition rounds, and general studio practice. It serves as an excellent vehicle for young male actors in the eighteen to twenty-five age bracket who fit character actor, villain, or sidekick casting profiles. The dynamic offers an accessible yet challenging alternative to standard verse scenes for partners seeking gritty, character-driven classical material.

    Performance Tips

    Treat the opening paranoia about being overheard as a genuine physical obstacle that directly influences your vocal volume and spatial awareness. Avoid playing the villainy as a broad caricature, opting instead to anchor the conversation in genuine conspiratorial camaraderie and pride. Conrade must use his questions as active tactics to steer Borachio forward, while Borachio should allow the thrill of his successful deceit to color every detail of the confession.

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