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monologue
Tragedy

Cressida: Men Prize the Thing Ungain'd

from Troilus and Cressida

Written by William Shakespeare

Cressida reveals her true feelings for Troilus in a private moment. She explains her philosophy of playing hard to get, believing that men value women more during the pursuit than after they have been won.

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CRESSIDA

Yet hold I off. Women are angels, wooing:

Things won are done; joy's soul lies in the doing.

That she beloved knows nought that knows not this:

Men prize the thing ungain'd more than it is.

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Scene Notes & Audition Tips

5 sections
About This Scene

In this classical soliloquy from William Shakespeare's tragedy Troilus and Cressida, the speaker drops her public guard to share an intimate truth. Left alone, Cressida reflects on Troilus and reveals the strategic reasoning behind her guarded behavior. She explains her philosophy on courtship, noting that men place higher value on what they have not yet won. The moment exposes a deep internal tension between authentic affection and protective self-preservation.

Character Analysis

Cressida is both deeply romantic and acutely aware of the social dynamics around her. While her attraction to Troilus is genuine and strong, she recognizes the precarious nature of female power in romance. Rather than being cynical, her calculated stance stems from a vulnerable desire to protect her heart and maintain agency. She understands that once desire is fulfilled, a suitor's reverence can quickly turn into control.

Why This Works for Auditions

Running around one minute, this piece offers an ideal showcase for classical technique without overstaying its welcome in the audition room. It allows an actor to balance elevated verse with immediate, relatable psychological insight. Instead of playing simple heartbreak or straightforward coyness, the performer gets to navigate conflicting impulses of genuine love and tactical restraint. Panelists see an actor who can handle complex verse while maintaining active, grounded thought.

Best Suited For

This monologue is exceptionally well suited for drama school auditions, classical competitions, and general practice. It is tailored for actors aged eighteen to twenty-five seeking Leading Lady, Ingenue, or Sophisticated casting opportunities. Performers who want to move beyond passive classical archetypes will find Cressida's sharp self-awareness a refreshing and formidable challenge.

Performance Tips

Treat the soliloquy as a discovery of your own rules rather than a dry lecture. Let the audience into your confidence, making them your allies as you articulate your private strategy. Avoid playing purely cynical or wholly detached, as the stakes only work if your genuine affection for Troilus is clearly felt underneath your defenses. Anchor your delivery in your breath and follow the natural rhythm of the verse to let your tactical conclusions emerge in real time.

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