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monologue
Comedy

Rosalind: Love Is Naught But Madness

from As You Like It

Written by William Shakespeare

Rosalind: Love Is Naught But Madness from As You Like It — audition scene

Rosalind, still disguised as the youth Ganymede, promises Orlando that she can use magic to ensure he marries his true love, Rosalind, the following day.

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ROSALIND

Believe then, if you please, that I can do strange things: I have, since I was three year old, conversed with a magician, most profound in his art and yet not damnable. If you do love Rosalind so near the heart as your gesture cries it out, when your brother marries Aliena, shall you marry her.

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Scene Notes & Audition Tips

5 sections
About This Scene

Taken from William Shakespeare's classical comedy As You Like It, this monologue captures Rosalind at a decisive turning point in the play. While disguised as the youth Ganymede, she decides to end her teasing games with Orlando and move their courtship toward an active resolution. She promises Orlando that through her past acquaintance with a powerful magician, she can arrange for his true love, Rosalind, to appear before him tomorrow so they may marry.

Character Analysis

Rosalind is sharp-witted, emotionally invested, and operating under the brilliant freedom of her disguise as Ganymede. In this moment, she balances her natural charm with a steady, commanding presence to make an astonishing claim sound entirely credible. Her clever manipulation is not self-serving or malicious; it is fueled by genuine romantic passion and a desire to bring their shared uncertainty to an end.

Why This Works for Auditions

Running roughly one minute, this monologue provides immediate dramatic momentum and a clear, driving objective. It showcases an actor's ability to navigate classical prose with intellectual clarity, vocal control, and conversational freshness. Furthermore, the dual nature of playing Rosalind while she performs as Ganymede gives audition panels a strong look at your depth, charisma, and grasp of high-stakes comedy.

Best Suited For

This piece is well matched for drama school auditions, acting competitions, and general classical practice for performers aged 18 to 25. Actors suited for leading lady, ingenue, or charming casting types will find it an ideal vehicle for their strengths. It is an effective option whenever an auditor requests a classical comedic piece with a powerful and confident tone.

Performance Tips

Establish a clear physical and vocal shift right away as you transition from playful chatter into earnest purpose. Treat the magical claim not as a silly jest, but as a real, practical promise crafted specifically to revive Orlando's hope. Allow Rosalind's private thrill to hum beneath Ganymede's calm exterior, ensuring the scene remains anchored in your character's urgent desire to be reunited with Orlando.

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