Comedy Monologues for Women

Debbie Jellinsky has the Addams family strapped into electric chairs while she delivers a manic, self-pitying presentation about her history of murdering husbands for failing to meet her high expectations.

A sarcastic, passive-aggressive, enthusiastic (feigned) Morgan's monologue from "The Rehearsal" by Don Zolidis. Genre: comedy.

A confessional, infatuated, self-deprecating Gillian's monologue from "Dags" by Debra Oswald.

Leslie Knope introduces herself and her unwavering passion for the political system. She expresses her ultimate ambition to become President while revealing her current, more modest reality as a mid-level bureaucrat in Pawnee, Indiana.

Annie reaches her breaking point at Helen's lavish bridal shower, confronting Lillian about how much she has changed. The scene culminates in a physical and emotional breakdown as Annie destroys a giant heart-shaped cookie and a chocolate fountain in front of the guests.

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Rosalind breaks the fourth wall to deliver the play's epilogue, playfully acknowledging the conventions of theater and gender. She charms the audience by 'conjuring' both the men and women to like the play, using wit and a reference to her own cross-dressing disguise to secure their applause.

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During an engagement party, Helen delivers a polished and emotionally manipulative speech designed to assert her status as Lillian's new best friend. The scene highlights the passive-aggressive rivalry between Helen and Annie as Helen uses shared memories to exclude and provoke her.

Olive Penderghast addresses her webcam to set the record straight about the false rumors regarding her sexual reputation. She sarcastically reflects on her previous anonymity and the events that led to her becoming the center of high school gossip.

Helen reflects on her husband Charlie's sweet and predictable nature while discussing his upcoming bachelor party. She shares a tender, humorous anecdote about waking him up in the middle of the night to ask if he loves her, revealing her deep affection and the contentment of her pregnancy.

Disguised as the youth Ganymede, Rosalind encounters Orlando in the Forest of Arden and offers to cure him of his lovesickness. She challenges his sincerity and proposes a game where he must woo her as if she were his beloved Rosalind, allowing her to test his devotion from behind a mask.

During a forced Thanksgiving pageant at summer camp, Wednesday Addams goes off-script to deliver a scathing indictment of colonialism before leading a revolt. She contrasts the future suffering of indigenous people with the mundane luxuries of the pilgrims.

A anxious, humorous, stream-of-consciousness, teenage angst Tracey's monologue from "Chewing Gum Dreams" by Michaela Coel.

Megan confronts a spiraling Annie with a bizarre and aggressive motivational speech. She recounts the extreme bullying she faced in high school to prove that Annie needs to stop feeling sorry for herself and take control of her life.

Morgan, a high school actress, delivers a passive-aggressive and highly caffeinated introduction to her castmates. While claiming to be a 'team player,' she thinly veils her jealousy over not getting the lead role and her awkward excitement about kissing her co-star.

A sardonic, condescending, authoritative, intelligent Miranda Priestly's monologue from "The Devil Wears Prada" by David Frankel and Aline Brosh McKenna.

A desperate, pleading, emotional, determined Patsy's monologue from "Little Murderers" by Jules Feiffer. Genre: comedy.

A exasperated, busy, slightly confused Dotty's monologue from "Noises Off" by Michael Frayn.

Gwendolen discovers that her fiancé, Ernest (Jack), has a young and beautiful ward named Cecily. She attempts to maintain Victorian politeness while expressing her deep insecurity and jealousy regarding Cecily's 'alluring' appearance.

A frustrated, exasperated, unhinged, observational Woman's monologue from "Laughing Wild" by Christopher Durang.

A passionate, determined, slightly desperate Beatrix's monologue from "Promedy" by Wade Bradford.

Helena laments the unrequited nature of her love for Demetrius and his obsession with Hermia. She reflects on the irrationality of love before deciding to betray Hermia's secret flight to Demetrius in hopes of gaining his attention.