Play
monologue
Comedy

Adriana Pleads to the Duke

from The Comedy of Errors

Written by William Shakespeare

Adriana pleads with the Duke to intervene after her husband, whom she believes to be insane, takes refuge in a nearby abbey to escape her attempts to restrain him.

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ADRIANA

May it please your grace, Antipholus, my husband,

Whom I made lord of me and all I had,

At your important letters,--this ill day

A most outrageous fit of madness took him;

That desperately he hurried through the street,

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Scene Notes & Audition Tips

5 sections
About This Scene

This classical monologue is drawn from William Shakespeare's comedy The Comedy of Errors. Facing an escalating crisis, Adriana approaches the Duke to plead for his direct intervention on behalf of her household. Believing her husband has been overtaken by a sudden fit of madness and chaos, she recounts his erratic behavior throughout the city and his escape into a nearby abbey. When the abbess refuses to release him, Adriana turns to the highest authority available to restore order to her fractured marriage.

Character Analysis

Adriana is an intense, passionate woman whose world is unraveling beneath her feet. Though she holds deep devotion toward her husband, she is thoroughly pushed to her limit by the baffling and destructive events of the day. Her objective is driven by a mixture of genuine care, acute embarrassment, and profound desperation to regain control. She carries herself with the dignity of a leading lady, yet her frustration and exhaustion remain right at the surface.

Why This Works for Auditions

Running approximately one and a half minutes, this piece provides an exceptional vehicle for classical audition showcases. It combines vivid narrative storytelling with immediate, high-stakes pleading directed toward a specific listener. Even though the play itself is a comedy, the scene demands earnest dramatic commitment and heightened emotional urgency. Performing it allows actors to demonstrate precise verse handling while sustaining intense emotional engagement and clear vocal projection.

Best Suited For

This piece is ideally suited for female performers aged 25 to 35 seeking material for drama school auditions, competitions, or general classical practice. It aligns well with actors working toward dramatic, leading lady, and intense casting categories. Performers who want to show strong classical technique without sacrificing raw human vulnerability will find it an excellent choice.

Performance Tips

Treat the Duke as a real authority figure whose attention you must win and hold through compelling evidence. Avoid playing the comedic irony for laughs; Adriana genuinely believes her husband has lost his mind and needs urgent restraint. Use the natural momentum of the verse to map the escalating chaos of her story, giving distinct weight to each new incident. Maintain a clear physical presence that balances public decorum with raw, domestic distress.

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