Play
monologue
Comedy

Adriana: Look Strange and Frown

from The Comedy of Errors

Written by William Shakespeare

Adriana delivers a passionate and desperate plea to the man she believes is her husband, accusing him of infidelity and estrangement. She uses vivid metaphors of physical unity to express the pain of his perceived betrayal.

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ADRIANA

Ay, ay, Antipholus, look strange and frown:

Some other mistress hath thy sweet aspects;

I am not Adriana nor thy wife.

The time was once when thou unurged wouldst vow

That never words were music to thine ear...

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Scene Notes & Audition Tips

5 sections
About This Scene

Adriana delivers this passionate confrontation in William Shakespeare's classical play The Comedy of Errors. Believing she is speaking to her own husband, she pours out her anguish over his apparent emotional distance, cold demeanor, and suspected infidelity. The speech serves as a masterclass in domestic urgency, using physical metaphors of union and contamination to express the unbearable pain of estrangement within a marriage.

Character Analysis

Adriana is a fiercely articulate and passionate woman navigating profound emotional devastation. She regards the marital bond as an indivisible, spiritual, and physical unity where any dishonor committed by her partner directly poisons her own existence. Her outward fury and sharp accusations stem not from malice, but from a foundation of deep love, acute vulnerability, and an overwhelming need to understand how their sacred connection has fractured.

Why This Works for Auditions

This piece offers performers an exceptional vehicle to demonstrate versatility, linguistic precision, and sustained emotional stamina. Even though the play belongs to the comedic genre, Adriana's monologue provides pure dramatic power, moving swiftly from bitter disillusionment to vivid poetic reasoning and desperate pleading. Adjudicators can immediately gauge your command of classical rhythm, breath support, and your capacity to ground elevated verse in truthful human emotion.

Best Suited For

This monologue is best suited for female actors aged twenty-five to thirty-five preparing for competitive drama school auditions, classical theater festivals, and general repertoire practice. It serves as a formidable choice for dramatic leading lady casting types who excel at portraying high-stakes vulnerability, fierce intellectual strength, and complex emotional conflict under pressure.

Performance Tips

Avoid starting the monologue at a peak of unyielding rage, as this leaves you nowhere to travel emotionally over two minutes. Ground the opening moments in wounded bewilderment, letting the betrayal genuinely hurt before your defense mechanisms ignite. Lean heavily into the vivid sensory language of touch, taste, and physical mingling, allowing those specific thoughts to drive your shifts in vocal tone. Maintain an active objective throughout, using each argument to pierce your partner's silence and demand recognition.

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