Skip to content
    Play
    monologue
    Comedy

    Act II, Scene 7 — All the world's a stage

    from As You Like It

    Written by William Shakespeare

    Act II, Scene 7 — All the world's a stage from As You Like It — audition scene

    2 min · 1 character · Any gender · 25-35

    Jaques delivers a cynical yet profound meditation on the seven stages of human life, from infancy to old age and eventual death. He compares the world to a theater where every individual is merely an actor playing a sequence of roles.

    Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

    Rehearse on your terms

    Take this monologue into rehearsal and work through it at your own pace.

    Scene PreviewExcerpt — subscribe to read full scene

    JAQUES

    All the world's a stage, And all the men and women merely players: They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to…

    End of preview. Continue with Pro below.

    7 days freeYour next rehearsal starts here

    Found your next scene? Make it yours.

    Start your free trial and read Act II, Scene 7 — All the world's a stage in full, with access to 7,500+ monologues and scenes to explore next.

    • Read the full scene and explore the library
    • Download your script in a clean, printable format
    • Take it into rehearsal with the Script Reader
    Casting Types
    Get Feedback
    Coming Soon

    Want expert coaching on this scene?

    Browse our curated list of acting coaches, dialect specialists, and more.

    Find a Coach

    Need representation?

    Browse verified agents and casting directors in our directory.

    Scene Notes & Audition Tips

    5 sections
    About This Scene

    From William Shakespeare's classical comedy As You Like It, this famous monologue takes place in Act II, Scene 7. Jaques delivers a profound, philosophical meditation comparing human life to a theatrical production where every individual merely plays out assigned roles. Moving through seven distinct stages from infancy to old age and death, the speech offers an existential reflection on the inevitable arc of human existence.

    Character Analysis

    Jaques is an observant, sophisticated character whose worldview is marked by a distinctive philosophical melancholy. Instead of getting caught up in the romance and festivities around them, this cynical thinker prefers to study human nature from a detached vantage point. Performing the role demands an actor who can embody this cool intellectual distance while finding genuine fascination in life's absurdities.

    Why This Works for Auditions

    This monologue is a powerful vehicle for demonstrating classical verse speaking, rhetorical skill, and vivid storytelling within a compact two-minute duration. Because the text journeys through seven vivid portraits, it allows the actor to display range, imaginative clarity, and precise vocal modulation without ever breaking character. Casting panels value this piece because it immediately proves whether a performer can command attention using heightened language alone.

    Best Suited For

    This selection is exceptionally well suited for drama school auditions, agent showcases, classical competitions, and general practice. It serves character actors, mentor types, and sophisticated performers of any gender who want to tackle rich classical text. Actors in the 25 to 35 age range can use this speech to demonstrate emotional gravity, intellectual authority, and a maturity beyond their years.

    Performance Tips

    Approach each of the seven ages as a fresh, spontaneous thought rather than a rehearsed checklist. Trust the meter of the verse to support your breath and phrasing, keeping the rhythm clear without falling into a predictable, sing-song pattern. Avoid physically acting out every age described; instead, focus on your internal imagery and let subtle shifts in tempo, posture, and vocal texture illuminate the journey from infancy to final oblivion.

    No ratings yet
    Sign in to rate