Orlando expresses his deep resentment toward his eldest brother, Oliver, who has neglected his education and treated him no better than a farm animal. He confides in the loyal servant Adam, declaring that he can no longer endure this indignity and feels his father's spirit prompting him to revolt.
ORLANDO: As I remember, Adam, it was upon this fashion bequeathed me by will but poor a thousand crowns, and, as thou sayest, charged my brother, on his blessing, to breed me well: and there begins my sadness. My brother Jaques he keeps at school, and report speaks goldenly of his profit: for my par
Create a free account to explore more
Upgrade to Pro for full access — £6.99/month
Director's Notes
Want expert coaching on this scene?
Browse our curated list of acting coaches, dialect specialists, and more.
Need representation?
Browse verified agents and casting directors in our directory.
How well does this scene match you?
Save your casting profile to see match scores on every scene.
Try Headshot AnalyserGo Pro
£6.99/mo
- ✓ Unlimited scene reading
- ✓ PDF downloads
- ✓ Director's Notes
- ✓ Headshot Analyser
- ✓ Cover Letter Generator
- ✓ Practice Mode
- ✓ Agent Connect
- + 1,000+ scenes
More from As You Like It
Rosalind Scolds Phoebe
from As You Like It
Disguised as the youth Ganymede, Rosalind delivers a sharp-witted rebuke to the shepherdess Phoebe for her cruel treatment of the devoted Silvius. She humbles Phoebe's vanity by critiquing her appearance and urges her to accept a good man's love while she has the chance.
Act III, Scene 5 — Phoebe's Conflicted Feelings
from As You Like It
Phoebe attempts to convince Silvius (and herself) that she is not in love with the disguised Rosalind, despite her detailed and obsessive physical description of the youth. She oscillates between criticism and admiration before deciding to send a 'taunting' letter to mask her true attraction.
Act II, Scene 7 — All the world's a stage
from As You Like It
Jaques delivers a cynical yet profound meditation on the seven stages of human life, from infancy to old age and eventual death. He compares the world to a theater where every individual is merely an actor playing a sequence of roles.
All the World's a Stage
from As You Like It
Jaques delivers a cynical yet profound meditation on the cycle of human life, comparing existence to a theatrical performance. He outlines the seven stages of man, from infancy to extreme old age, highlighting the inevitability of decline and the performative nature of social roles.
Similar Scenes
Act II — Trigorin's Obsession
from The Seagull
Trigorin, a successful writer, deconstructs the romantic myth of the literary life to a young admirer. He describes the compulsive, exhausting nature of his creative process and how he views the world only as material for his next work.
Telegin's Monologue on His Life
from Uncle Vanya
Telegin reflects on his life of misfortune and the abandonment he suffered the day after his wedding. Despite a lifetime of loneliness and unrequited loyalty, he expresses a profound philosophy of endurance, hope, and the necessity of remaining a kind person.
Act I, Scene 3 — Helena's Confession
from All's Well That Ends Well
Helena kneels before the Countess to confess her secret and unrequited love for the Countess's son, Bertram. She articulates the purity of her devotion despite the social disparity between them, likening her hopeless adoration to a religious ritual.
Act III, Scene 1 — Claudio's Fear of Death
from Measure for Measure
Claudio expresses his visceral and overwhelming terror of death to his sister, Isabella. He vividly imagines the physical decay of the body and the potential spiritual torments of the afterlife, concluding that even the most miserable life is preferable to the unknown horrors of the grave.