Play
monologue
Comedy
Romance

The Art of Wooing

from As You Like It

Written by William Shakespeare

The Art of Wooing from As You Like It — audition scene

Act III, Scene 2. Disguised as the youth Ganymede, Rosalind encounters Orlando in the Forest of Arden and offers to cure him of his lovesickness. She challenges his sincerity and proposes a game where he must woo her as if she were his beloved Rosalind, allowing her to test his devotion from behind a mask.

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Scene PreviewExcerpt — subscribe to read full scene

ROSALIND

And why, I pray you? Who might be your mother, That you insult, exult, and all at once, Over the wretched? What though you have no beauty,-- As by my faith, I see no more in you Than without candle may go dark to bed,-- Must you be therefore proud and pitiless? Why, what means this? Why do you look on me? I see no more in you than in the ordinary…

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Scene Notes & Audition Tips

5 sections
About This Scene

Set in the Forest of Arden, this comedic classical monologue from William Shakespeare's play As You Like It showcases Rosalind navigating romance through clever disguise and biting wordplay. Concealed behind a masculine persona, she intervenes in romantic entanglements with fearless authority. She challenges foolish devotion while cutting down arrogance, delivering a spirited lecture on love, vanity, and self-awareness.

Character Analysis

Rosalind is an intellectually formidable romantic lead whose charm lies in her quick thinking and sophisticated command of language. Disguised as a youth, she revels in the freedom that her male persona affords her, adopting an assertive and candid stance. Her exasperation stems not from malice, but from a practical, grounded perspective on relationships that refuses to tolerate unwarranted pride.

Why This Works for Auditions

This two-to-three-minute piece offers an actor the chance to exhibit sharp comic timing alongside classical text technique. The speech demands rapid shifts in focus as Rosalind addresses multiple targets, demonstrating your versatility, vocal variety, and physical presence. Directors and casting panels can assess your breath control, handling of heightened comedy, and ability to balance high-status wit with energetic charm.

Best Suited For

This monologue is ideally tailored for female actors in the 18 to 25 age range preparing for drama school auditions, agent showcases, classical competitions, or general practice. It serves as an exceptional calling card for casting types including the Leading Lady, Ingenue, and Romantic Lead who bring a charming, sophisticated demeanor to the room. It is also an accessible classical choice for teens.

Performance Tips

Keep your energy dynamic and avoid staying on a single note of scolding, as Rosalind is genuinely amused by the absurdity before her. Clearly place your listeners in the room so your shifts in intention remain sharp and immediate. Trust the rhythm of the text to propel your thoughts forward, allowing the physical freedom of your character's disguise to anchor your body and heighten the comedy.

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