Play
monologue
comedy

The Tuna Fish Incident

from Laughing Wild

Written by Christopher Durang

A frustrated, exasperated, unhinged, observational Woman's monologue from "Laughing Wild" by Christopher Durang.

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WOMAN

I want to talk to you about life. It’s just too difficult to be alive, isn’t it, and try to function? There are all these people to deal with. I tried to buy a can of tuna fish in the supermarket, and there was this person standing right in front of where I wanted to reach out to get the tuna fish, and I waited a while, to see if they’d move, and they…

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Scene Notes & Audition Tips

5 sections
About This Scene

This monologue, "The Tuna Fish Incident," from Christopher Durang's play *Laughing Wild*, offers a brilliant contemporary comedic piece for a female actor. It delves into the everyday frustrations and absurdities of modern life through the eyes of a woman whose patience has worn thin. The scene explores themes of social anxiety and the exasperation that arises from seemingly mundane encounters, building to an increasingly unhinged and darkly humorous observation about the world.

Character Analysis

The Woman in this monologue is a character verging on the edge, characterized by her intense frustration and exasperation with the world around her. She possesses a keen, albeit somewhat jaded, observational quality, dissecting a simple supermarket interaction into a profound commentary on human existence. While her reactions escalate to an "unhinged" level, there's an underlying vulnerability that keeps her relatable and prevents the comedy from becoming purely cynical. She is grappling with the sheer difficulty of simply being alive and navigating social interactions.

Why This Works for Auditions

"The Tuna Fish Incident" is an excellent choice for auditions due to its immediate and impactful nature. The comedic tone, combined with the character's descent into a relatable yet extreme state of frustration, allows an actor to showcase a broad range of emotions within a short timeframe. It’s a contemporary piece that doesn't require extensive setup for an casting director to understand, making it highly accessible and effective for demonstrating nuanced comedic timing and the ability to build intensity.

Best Suited For

This monologue is best suited for female actors in their 20s to 50s who excel at character work and comedic timing. It's particularly strong for those who can portray a quick shift from mild annoyance to full-blown exasperation and a touch of the unhinged. Actors cast as "Intense," "Quirky," or "Vulnerable" will find ample opportunity to shine, as the piece allows for a compelling blend of humor and underlying emotional depth.

Performance Tips

When approaching "The Tuna Fish Incident," focus on charting the escalation of the Woman's frustration. Start with a baseline of minor irritation and allow it to build organically with each new observation and memory of the incident. Embrace the "unhinged" quality by finding moments of unexpected outburst or heightened physicality, while always keeping the character's underlying vulnerability in mind. Pay close attention to Durang's rhythm, as his writing is often crafted for a specific comedic pace, and don't be afraid to lean into the observational humor with distinct vocal and facial expressions.

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