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    Film
    monologue
    Drama

    Howard Introduces Something She

    from Her Smell

    Written by Alex Ross Perry

    Her Smell

    2 min · 1 character · Any gender · 35-45

    Howard introduces a legendary punk band, recounting the aggressive and chaotic way he first met the band's volatile frontwoman, Becky Something.

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    HOWARD

    I first saw this next band...almost ten, god, no, eleven years ago. They were opening for, well, it doesn’t matter who they were opening for because I left right after their set. Ran backstage. Dropped to my knees and begged to let me sign them. And this woman, this once in a lifetime, never been anyone like her in the world, fire brand of a woman,…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Alex Ross Perry for the contemporary drama feature Her Smell, this powerful monologue captures an electrifying public introduction. Howard steps before a live crowd to bring the legendary punk rock band Something She back to the stage after years apart. Through an entertaining, candid speech, Howard recounts the aggressive and chaotic circumstances under which the band's volatile frontwoman was first discovered, charting a shared history marked by persistence, friction, and mutual respect.

    Character Analysis

    Howard is a seasoned music industry executive who has weathered years of chaos alongside exceptionally volatile talent. Having started out as a desperate, unpolished manager working out of a parent's basement, Howard possesses an endearing mix of self-deprecating humor and resilient professional drive. Beneath the polished presentation of a host lies an authentic, battle-tested survivor who values loyalty and views these artists as genuine family.

    Why This Works for Auditions

    This piece serves as an exceptional vehicle for actors seeking to demonstrate narrative charisma, precise comedic timing, and room-commanding authority. The structure demands that the performer actively engage an invisible venue crowd while keeping a detailed personal story grounded and believable. It allows an actor to move effortlessly between self-mocking humor, sharp dramatic focus, and celebratory warmth, offering a wide emotional spectrum within a compact performance.

    Best Suited For

    The monologue is ideal for performers playing between thirty-five and forty-five who fit authority figure, business executive, or dramatic everyman casting types. Because it requires no scene partner, it provides an immediate, punchy option for self-tapes, agent showcases, and general drama school or workshop practice where dynamic storytelling is key.

    Performance Tips

    Ground your physical performance by clearly establishing the spatial scale of the venue and your relationship with the excited listeners. Give the comedic beats time to breathe so that Howard's self-effacing recollections land naturally before driving the energy forward. Be sure to anchor the humor in deep, authentic affection for the artists, allowing the speech to culminate in an explosive, triumphant introduction that feels completely earned.

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