KAT: I hate the way you talk to me and the way you cut your hair. I hate the way you drive my car. I hate it when you stare. I hate your big dumb combat boots and the way you read my mind. I hate you so much it makes me sick; it even makes me rhyme. I hate the way you're always right. I hate it when you lie. I hate it when you make me laugh, even worse…
I Hate the Way You Talk to Me — Ten Things I Hate About You
In front of her entire English class, Kat reads an original poem that serves as a vulnerable confession of her feelings for Patrick. The scene captures the emotional climax of their relationship as she moves from anger to a heartbreaking admission of love.
Format: Monologue · Genre: Romantic Comedy · Source: Ten Things I Hate About You · Author: Karen McCullah Lutz · Characters: Kat, Mrs. Blaise, Patrick
About This Scene
This poignant monologue from Ten Things I Hate About You showcases Kat as she delivers a raw and vulnerable poem to her English class. What begins as a seemingly resentful declaration transforms into a heartbreaking confession of love for Patrick, culminating in the emotional climax of their complicated relationship. The scene perfectly encapsulates the rollercoaster of teenage emotions, moving from outward anger and sarcasm to a deep, undeniable affection.
Character Analysis
Kat is a fiercely independent and often sarcastic teenager who usually guards her emotions closely. In this scene, she sheds her tough exterior to reveal a vulnerable and deeply feeling young woman. Her initial delivery is likely laced with her characteristic cynical edge, but as the monologue progresses, her true emotions surface, displaying her internal conflict and profound affection for Patrick. She is an outsider by choice, yet deeply desires connection, making this confession all the more impactful.
Why This Works for Auditions
This monologue is an exceptional choice for auditions because it demonstrates a wide emotional range within a relatively short timeframe. Actors can showcase their ability to navigate sarcasm, vulnerability, and genuine heartbreak, all while maintaining a compelling through-line. The transition from anger to tenderness provides a clear arc, allowing performers to display nuanced character development and strong emotional control. Its contemporary setting and relatable themes of young love and confession make it highly accessible and impactful.
Best Suited For
This piece is ideally suited for young female actors aged 16-18, particularly those looking to portray types such as the Ingenue, Rebel, Teenager, Outsider, or Vulnerable character. It's an excellent option for drama school auditions, agent showcases, self-tapes, and general practice. The monologue allows an actor to strongly convey intelligence, wit, and deep emotional capacity, making it a versatile tool for various casting scenarios and demonstrating significant dramatic potential.
Performance Tips
When performing this monologue, focus on the journey of Kat's emotions. Begin with her characteristic defensive sarcasm, allowing it to gradually peel away as the true depth of her feelings emerges. Pay attention to how her physicality and vocal tone shift from front-footed anger to a more hesitant, open vulnerability. The turning point of "But mostly I hate the way I don't hate you" should be a moment of genuine emotional breakthrough, where all pretenses are dropped, and her love is fully exposed. Remember the implied audience of the classroom and, most importantly, Patrick, letting your eye contact and intention reflect the direct communication of her confession to him.