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    Film
    duologue
    Drama

    James Tells Ben Bart He'll Pay for the Apollo

    from Get On Up

    Written by Jez Butterworth, John-Henry Butterworth

    Get On Up

    James Brown challenges his manager Ben Bart to let him self-fund a live recording at the Apollo, asserting his power as both the talent and the boss.

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    Scene PreviewExcerpt — subscribe to read full scene

    JAMES

    Book the Apollo. I’m gonna spend my own money on this. Syd Nathan’s wrong.

    BEN BART

    I’m not going to let you do that, Jimmy.

    JAMES

    Book it out next week for the whole week, go in, we drill it, we drill it, we drill it, then we drop it.

    BEN BART

    Forget it, Jimmy. It’s too big of a risk. Let’s order something to eat.

    JAMES

    I don’t understand risk?…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    In this intense dramatic scene from the film *Get On Up*, written by Jez Butterworth and John-Henry Butterworth, James Brown confronts his manager Ben Bart inside a restaurant booth. James demands to self-fund a live recording at the Apollo, challenging both financial caution and conventional music industry power dynamics. What begins as a tense disagreement over risk rapidly expands into a potent confrontation regarding race, control, and ownership.

    Character Analysis

    James is a relentless leading man who rejects the notion that his value begins and ends as onstage entertainment. Driven by immense pride, artistic clarity, and acute awareness of systemic exploitation, he commands the room through sheer will and tactical pressure. Ben Bart represents an authority figure whose cautious paternal instincts and business pragmatism clash directly with James's ambition, ultimately conceding once he recognizes his partner's unwavering certainty.

    Why This Works for Auditions

    This piece provides actors with an exceptional vehicle for demonstrating status shifts, high personal stakes, and fierce emotional control within a concise two-minute run time. Rather than relying on physical commotion, the dialogue relies on psychological leverage, unspoken history, and simmering racial tension. Casting directors get an immediate look at a performer's ability to maintain unbroken intensity while navigating complex relationship boundaries.

    Best Suited For

    Actors aged 25 to 35 seeking challenging material for self-tapes, agent showcases, or scene study will find this duologue deeply rewarding. It caters strongly to performers suited for intense, charismatic leading man roles as well as grounded, pragmatic authority figures. Because the stakes are immediate and compelling, it serves equally well for professional auditions and general craft development.

    Performance Tips

    Avoid the trap of playing the conflict with sheer volume, as James's command is far more compelling when grounded in quiet, razor-sharp stillness. Anchor the scene through deliberate pacing and unbroken eye contact, letting the suppressed danger of the setting raise the stakes naturally. When the negotiation pivots and plans are established, allow the shift into collaborative confidence to feel genuine, showing the authentic charm that fuels his audacity.

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