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    Film
    duologue
    Drama

    Little Richard Tells James How to Catch the Wind

    from Get On Up

    Written by Jez Butterworth, John-Henry Butterworth

    Get On Up

    Little Richard gives a young James Brown advice on how to break into the music industry and warns him about the white executives who will exploit him.

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    Scene PreviewExcerpt — subscribe to read full scene

    LITTLE RICHARD

    I play a show in Lafayette last week twenty thirty girls pass clean out. Need oxygen. I’m killing ‘em James. They should lock me away. I cut loose it’s like a spaceship land. Did I say I got a record out? They drop it five times a day on WIBB. Five times a day.

    JAMES BROWN

    So how we catch the wind?

    LITTLE RICHARD

    Sugar, may I borrow your…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Jez Butterworth and John-Henry Butterworth for the dramatic film Get On Up, this intense two-minute duologue captures a late-night exchange between Little Richard and a young James Brown. Working a humble job while pursuing his musical breakthrough, Richard shares hard-earned trade secrets with James on how to get noticed in the music industry. The conversation rapidly evolves from an ambitious blueprint for national success into a sobering warning about racial exploitation by powerful executives.

    Character Analysis

    Little Richard balances theatrical flamboyance with raw, calculating survival instincts. Even while stuck flipping burgers, he exudes supreme confidence and magnetism, yet he carries the profound awareness of an experienced mentor who sees the perils awaiting Black artists. James Brown provides a compelling counterweight as a focused, ambitious listener whose quiet intensity and refusal to flinch signal a future powerhouse absorbing every detail.

    Why This Works for Auditions

    The piece provides an exceptional platform to demonstrate dramatic range, charismatic pacing, and emotional depth without needing extensive exposition. Little Richard’s role requires rapid tonal shifts between exuberant showmanship and chilling gravity, making it a stellar showcase for a dynamic character actor or charismatic leading man. Meanwhile, the scene tests an actor’s ability to command the frame through active listening, high-status presence, and unspoken ambition.

    Best Suited For

    This material is best suited for male actors aged 18 to 25 preparing for agent showcases, self-tape submissions, or focused scene study. It is an ideal fit for performers auditioning for intense, charming, or mentor casting types who want to tackle complex themes of ambition and race relations.

    Performance Tips

    Resist the temptation to play Little Richard as a hollow impersonation; anchor his larger-than-life delivery in genuine hunger and protective mentorship. Track the distinct tonal shift in the scene when the dialogue moves from excited industry strategy to cold, sobering reality. For the actor playing James, prioritize stillness and direct eye contact, using your physical presence to reveal your character's relentless drive. Maintain a brisk, rhythmic banter that keeps the stakes high and the momentum driving forward.

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