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    Film
    duologue
    Drama

    The Phone Call from Harold

    from A Single Man

    Written by Tom Ford, David Scearce

    A Single Man

    George receives a devastating phone call informing him that his long-term partner has died in a car accident and that he is excluded from the funeral.

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    Scene PreviewExcerpt — subscribe to read full scene

    GEORGE

    I’m sorry, I was expecting someone else. Yes sir, you have indeed called the correct number. How may I help you?

    HAROLD

    This is Harold Ackerley. I’m Jim’s cousin.

    GEORGE

    Oh yes, of course. Good evening, Mr. Ackerley.

    HAROLD

    I’m afraid I’m calling with some bad news.

    GEORGE

    Oh?

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This intense duologue from Tom Ford and David Scearce's film, *A Single Man*, plunges George, a man in his 50s, into the immediate aftermath of unthinkable tragedy. He receives a phone call from Harold, Jim's cousin, informing him that his long-term partner, Jim, has died in a car accident. The scene then swiftly escalates in emotional tension as George grapples not only with devastating news but also with the painful revelation that he is explicitly excluded from the funeral arrangements by Jim’s family, highlighting themes of grief, exclusion, and societal judgment.

    Character Analysis

    George is presented as a character defined by deep internal restraint and a profound, albeit suppressed, emotional life. Despite receiving horrific news, his initial responses are almost clinically composed, a coping mechanism that speaks volumes about his character and possibly his experience navigating a world that doesn't fully acknowledge his relationship. Harold, in contrast, serves as the messenger, a character who initially appears empathetic but ultimately delivers the cruelest blow with a matter-of-fact tone, representing the external forces that deny George his place in mourning. Exploring George’s quiet devastation and his desperate, almost clinical, questions about the dogs offers rich territory for an actor to portray complex emotional processing under duress.

    Why This Works for Auditions

    This scene is a powerful choice for auditions due to its raw emotional depth and the significant internal journey George undergoes with minimal overt expression. It offers actors an excellent opportunity to showcase subtlety, active listening, and the ability to convey profound grief and shock through subtext and restrained performance. The duologue format, with one character largely off-screen, also demands strong imagination and presence, making it ideal for self-tapes where an actor needs to command the frame and convey a full relationship and situation through one-sided interaction.

    Best Suited For

    This scene is exceptionally well-suited for male actors in the 45-55 age range who are seeking to demonstrate their capacity for complex emotional portrayals and understated intensity. It is particularly effective for those looking to be cast as a Leading Man, an Everyman grappling with extraordinary circumstances, or a character embodying vulnerability and sophisticated restraint. Actors capable of conveying deep internal struggle and grief without resorting to histrionics will find this a compelling piece to showcase their abilities.

    Performance Tips

    Focus on George’s stillness and the specific beats where his composure wavers, such as his questions about the dogs, which reveal a hidden, visceral concern amidst his intellectual processing of the news. Pay close attention to how George attempts to maintain decorum and control, only for it to be slowly eroded by Harold’s increasingly callous revelations. The challenge lies in portraying the enormous internal collapse and heartbreak while externally maintaining a semblance of stoicism, allowing the audience to witness the character’s world shattering beneath a thin veneer of civility.

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