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    Film
    duologue
    Comedy-Drama

    Run Through Lightning With Your Dick Out

    from Dumb Money

    Written by Rebecca Angelo, Lauren Schuker Blum

    Dumb Money

    Keith confronts his brother Kevin about trying to sell his information to reporters while facing a high-stakes congressional subpoena.

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    Scene PreviewExcerpt — subscribe to read full scene

    KEITH

    Alright yeah, but this has gone crazy. Reporters are hounding me--

    KEVIN

    Yeah me too. Tryin’a get to you.

    KEITH

    What’d you say?!

    KEVIN

    I said I might be able to work something out for 50K.

    KEITH

    Tell me you’re kidding.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Featured in the contemporary comedy-drama Dumb Money, written by Rebecca Angelo and Lauren Schuker Blum, this two-minute duologue centers on a high-stakes clash between two adult brothers. Keith confronts Kevin after discovering that Kevin considered selling his private information to reporters eager for a scoop. With a looming congressional subpoena hanging over Keith, a furious argument quickly gives way to shared nostalgia, family grief, and an unexpected surge of brotherly loyalty.

    Character Analysis

    Keith embodies an everyday working-class figure suddenly thrust into extreme scrutiny, carrying the palpable dread of legal peril and the painful realization that he must abandon a creative outlet he truly loved. Kevin functions as both comic relief and an unpredictable anti-hero whose transactional mindset initially strains their bond. Despite his reckless impulses, Kevin knows exactly what buttons to push to snap his brother out of defeatism, revealing a fierce underlying devotion beneath his rough exterior.

    Why This Works for Auditions

    This scene offers exceptional balance for two performers, moving rapidly through betrayal, grief, and comedic camaraderie. It allows actors to demonstrate high emotional range without ever feeling melodramatic, as the dialogue stays firmly grounded in authentic, contemporary vernacular. The rapid tonal shift from acute panic to warm, profane encouragement provides casting teams with immediate proof of an actor's emotional agility and comic timing.

    Best Suited For

    Male actors in their late twenties to mid-thirties will find this material particularly effective when targeting working-class, everyman, or intense anti-hero casting brackets. Because the scene requires sharp pacing and immediate chemistry, it works brilliantly for self-tape submissions, agent showcases, and general scene study practice.

    Performance Tips

    Anchor the early moments of the scene in genuine stakes rather than surface-level anger; Keith's fear of prison must feel real for Kevin's irreverence to have something meaningful to cut through. Pay close attention to the stillness when the conversation turns to past memories and family loss, allowing the silence to reset the dynamic before the energy builds back up. Keep the final exchange crisp and unforced, highlighting how quickly siblings can transition from an existential crisis back into petty, everyday bickering.

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