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monologue
Comedy

Speed Describes a Lover

from The Two Gentlemen of Verona

Written by William Shakespeare

Speed, a quick-witted servant, mocks his master Valentine for falling in love. He lists the various physical and behavioral changes he has observed in Valentine, contrasting his current lovesick state with his former self.

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SPEED

Marry, by these special marks: first, you have learned, like Sir Proteus, to wreathe your arms, like a malecontent; to relish a love-song, like a robin-redbreast; to walk alone, like one that had the pestilence; to sigh, like a school-boy that had lost his A B C; to weep, like a young wench that had buried her grandam...

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Scene Notes & Audition Tips

5 sections
About This Scene

This classical comedic monologue comes from William Shakespeare's play *The Two Gentlemen of Verona*. In this concise scene, the witty servant Speed playfully confronts his master Valentine, who has fallen deeply in love. Speed launches into an observant, rapid-fire breakdown that catalogs the dramatic behavioral changes he has noticed in Valentine. By directly contrasting Valentine's former habits with his present lovesick state, the monologue highlights the ridiculous nature of romantic infatuation.

Character Analysis

Speed lives up to his name as an agile thinker with a sharp, perceptive mind. Operating within the comedic servant tradition, he functions as both a loyal sidekick and an irreverent critic of high-minded romance. Speed observes the world around him with clinical precision, refusing to indulge Valentine's sentimental melancholy. Rather than showing deference, he treats his master with cheeky familiarity, using biting irony and colorful comparisons to hold up an unflattering mirror to Valentine's lovesickness.

Why This Works for Auditions

Clocking in at approximately one minute, this speech is a brilliant vehicle for demonstrating classical comedic timing without overstaying its welcome. It demands exceptional breath support, rhythmic precision, and vocal clarity to sustain its quick progression of ideas. Instead of delivering heavy emotional drama, the actor gets to display energetic wit and lively physical storytelling. Auditors love seeing performers who can tackle Shakespearean language with ease, confidence, and natural conversational flair.

Best Suited For

This piece is best suited for male actors aged eighteen to twenty-five who thrive in character roles and comedic parts. It is an exceptional choice for drama school auditions, acting competitions, and general classical repertoire building. Performers naturally suited to comic relief, quick-witted tricksters, or energetic sidekicks will find that this monologue highlights their strengths and showcases their ability to connect with an audience.

Performance Tips

Treat the list of behavioral changes as an escalating argument rather than a flat recital of complaints. Differentiate each vivid comparison by discovering fresh vocal colors and subtle physical shifts for every image you describe. Keep Valentine squarely in your focus, ensuring that your mockery remains driven by an active desire to shake your master out of his trance. Let your energy remain buoyant from start to finish, landing the final shift in perspective with crisp comedic authority.

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