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    Comedy-Drama

    Stephano and Caliban: Here Is My Butt

    from The Tempest

    Written by William Shakespeare

    Stephano, a drunken butler who has survived a shipwreck, encounters Caliban, who is hiding under a cloak. Stephano mistakes Caliban for a four-legged monster and decides to 'tame' him with wine, while Caliban fears Stephano is a spirit sent by Prospero to torment him.

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    Scene PreviewExcerpt — subscribe to read full scene

    STEPHANO

    What's the matter? Have we devils here? Do you put tricks upon's with savages and men of Ind, ha? I have not scaped drowning to be afeard now of your four legs.

    CALIBAN

    Do not torment me: Oh!

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This comedic duologue from William Shakespeare's classical play The Tempest captures an absurd first encounter following a shipwreck. Stephano, a drunken butler who has washed ashore, stumbles across Caliban hiding under a cloak on the island. Mistaking Caliban for a bizarre four-legged creature suffering from a fever, Stephano decides to tame the strange beast using wine from his bottle, while Caliban cowers in terror, believing the intruder is an emissary sent by Prospero to torment him.

    Character Analysis

    Stephano represents the comic relief archetype of a servant suddenly cast adrift into unfamiliar territory. Buoyed by alcohol, he oscillates between self-important bravado and opportunistic scheming, envisioning how this odd island inhabitant might serve his fortunes back home in Naples. Caliban, cast here as an outsider gripped by intense dread, operates entirely from survival instincts. His immediate reaction is submissive and desperate, reading Stephano's drunken trembling as mystical energy rather than the simple physical consequence of intoxication.

    Why This Works for Auditions

    Running approximately two minutes, this exchange delivers a vivid contrast in objectives, physical presence, and vocal dynamics. The scene allows performers to display sharp comic timing while remaining grounded in the urgent reality of classical comedy-drama. It highlights how dramatic irony and mistaken identity can generate rich comedic friction without sacrificing authentic emotional commitment.

    Best Suited For

    This piece is an excellent selection for drama school auditions, acting competitions, and classical partner practice. It provides fantastic audition material for male character actors in the twenty-five to thirty-five age range seeking to demonstrate strong physicality, heightened language skills, and comedic versatility.

    Performance Tips

    Keep the physical choices distinct and active throughout the scene. For Stephano, resist the urge to rely on generic drunken slurring; anchor the performance in heavy-footed swagger, shifting focus, and misplaced confidence. For Caliban, embody the physical tension of someone bracing for punishment, ensuring your terror is palpable so that the audience feels the hilarity of the misunderstanding. Maintain crisp diction so that the comedic wit and narrative discovery remain intelligible even during broad physical play.

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