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    Comedy-Drama

    Caliban: Be Not Afeard

    from The Tempest

    Written by William Shakespeare

    Caliban plots the murder of his master, Prospero, instructing Stephano and Trinculo on how to kill him in his sleep. He emphasizes the importance of destroying Prospero's magic books first and speaks of the beauty of Prospero's daughter, Miranda.

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    CALIBAN

    Why, as I told thee, 'tis a custom with him,

    I' th' afternoon to sleep: there thou mayst brain him,

    Having first seized his books, or with a log

    Batter his skull, or paunch him with a stake,

    Or cut his wezand with thy knife.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    In this classical monologue from William Shakespeare's comedy-drama The Tempest, the servant Caliban plots the murder of his master, Prospero. Speaking directly to his co-conspirators, he outlines visceral ways to kill Prospero during his afternoon slumber. Crucially, Caliban emphasizes that they must first seize and burn Prospero's magical books to strip him of his supernatural authority, before turning his thoughts to the remarkable beauty of Prospero's daughter.

    Character Analysis

    Caliban is an isolated outsider and servant consumed by a burning desire for revenge against his captor. While often categorized as a monster or villain, his speech reveals a pragmatic strategist who understands exactly where his master's authority originates. He carries deep psychological scars and profound hatred, yet his worldview remains complex, capable of recognizing wonder and comparing the only women he has ever known.

    Why This Works for Auditions

    This monologue offers ninety seconds of dynamic, high-stakes classical text that allows an actor to demonstrate bold character choices. It shifts rapidly from brutal tactical violence to desperate warnings about magical spirits, concluding with an evocative contemplation of beauty. Auditors see a performer who can manage heightened verse while embodying a grounded, dangerous character without falling into melodramatic caricature.

    Best Suited For

    This piece is exceptionally suited for character actors targeting outsider, villain, or servant roles in classical repertoires. It is an ideal selection for drama school auditions, Shakespeare competitions, and intensive general practice. Male performers within the twenty-five to thirty-five age bracket will find it an effective vehicle for showcasing vocal versatility, raw intensity, and physical presence.

    Performance Tips

    Focus on the objective of coaching your co-conspirators rather than indulging in generalized villainy. Make sharp, distinct choices for each suggested method of execution, letting the imagery fuel your vocal variety and physical intentions. Treat the destruction of the magic books with genuine, fearful urgency, ensuring your posture remains physically grounded so the heightened language retains its precision.

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