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monologue
Drama

Antonio: Whiles You Sleep

from The Tempest

Written by William Shakespeare

Antonio attempts to persuade Sebastian to murder his brother, the King of Naples, while he sleeps. He dismisses the concept of conscience and argues how easily they can seize power.

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ANTONIO

Here lies your brother,

No better than the earth he lies upon,

If he were that which now he's like, that's dead;

Whom I, with this obedient steel, three inches of it,

Can lay to bed for ever...

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Scene Notes & Audition Tips

5 sections
About This Scene

William Shakespeare's drama *The Tempest* features this dark, calculating monologue in which Antonio attempts to persuade Sebastian to murder the sleeping King of Naples. Driven by ambition and political betrayal, Antonio dismisses the concept of moral conscience entirely, painting assassination as a remarkably simple path to supreme power. Running approximately one minute, this classical piece captures a tense, high-stakes moment of pure psychological manipulation.

Character Analysis

Antonio is an unapologetic schemer who values pragmatic control over morality, loyalty, and spiritual fear. He views conscience not as an ethical compass, but as an irrelevant obstacle that can be brushed aside whenever advancement beckons. To inhabit Antonio successfully, an actor must embody a ruthless, highly persuasive tactician who lures his ally into treason through quiet confidence rather than frantic desperation.

Why This Works for Auditions

At a compact one-minute running time, this monologue offers auditionees an exceptional vehicle for demonstrating classical verse speaking, vocal clarity, and dark magnetism. Panel members frequently look for performers who can project dangerous authority without resorting to melodramatic rage or shouting. Because the character is relentlessly driving toward a specific objective—convincing his listener to draw steel—the scene provides immediate dramatic traction and deep psychological subtext.

Best Suited For

This monologue is ideally tailored for male actors aged roughly twenty-five to thirty-five who fit villain, anti-hero, or character actor casting types. It is particularly well suited for drama school auditions, classical acting competitions, and professional general auditions that request a heightened-text drama piece. Performers who excel at commanding space through intellectual cunning and restrained menace will find this text especially rewarding.

Performance Tips

Resist the temptation to play Antonio as an exaggerated, sneering villain; his true danger lies in how reasonable, effortless, and practical he makes regicide seem. Keep your energy focused outward on your scene partner, constantly measuring whether your insidious proposal is breaking down their resistance. Finally, trust the natural rhythm of Shakespeare's verse to drive your momentum, anchoring your body in purposeful physical stillness so that every icy detail lands with sharp intention.

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