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    Film
    duologue
    Comedy-Drama

    Tess Has Dinner with Laird

    from Is This Thing On?

    Written by Bradley Cooper and Will Arnett & Mark Chappell

    Is This Thing On?

    Two former athletes discuss transitioning into coaching while navigating the shared realization that they have both recently become single.

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    Scene PreviewExcerpt — subscribe to read full scene

    LAIRD

    We’re gonna need that hand Roche!

    TESS

    Oh my God! Hahaha. I used to slam the floor so fucking hard, and pretend it didn’t hurt.

    LAIRD

    That’s what made you a champion, your singular focus, your dedication. That’s why when I heard you wanted to get into coaching I had to reach out.

    TESS

    That’s very flattering. I was really excited you reached…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Bradley Cooper and Will Arnett & Mark Chappell for the contemporary comedy-drama film Is This Thing On?, this two-minute duologue captures a dinner conversation between two former athletes. As they discuss the psychological challenges of transitioning out of professional competition and into coaching, their professional discussion turns deeply personal. The conversation shifts naturally from athletic identity to the awkward reality of midlife divorce and sudden singlehood.

    Character Analysis

    Both Laird and Tess are seasoned competitors learning how to redefine themselves outside of their former sports careers. Laird is warm, encouraging, and charming, having found purpose and emotional stability through coaching after his marriage ended years ago. Tess is open, observant, and reflective, wrestling with missing the sport while quietly dealing with her own fresh marital separation. Their dynamic blends mutual respect with an underlying spark of romantic possibility.

    Why This Works for Auditions

    This scene offers actors a fantastic vehicle to display grounded conversational realism, charm, and nuanced vulnerability. Rather than relying on overt conflict, the stakes come from internal career transitions and the tentative steps of dating in midlife. Casting directors get to see performers handle comedic timing and poignant personal reveals in a tightly contained, realistic environment.

    Best Suited For

    This piece is ideal for actors in the 45-55 age range fitting Leading Man, Leading Lady, Romantic Lead, Charming, or Everyman casting types. Due to its intimate staging and conversational dialogue, it functions exceptionally well for self-tape submissions, agent showcases, or general scene study practice.

    Performance Tips

    Lean into the relaxed camaraderie of two people who share a common athletic background, letting that shared history establish quick trust and easy physical comfort. Keep the comedic beats deadpan and natural rather than playing them for broad laughs. Pay close attention to active listening, particularly when the conversation pivots from professional coaching advice to personal family updates, allowing the unspoken realizations between the characters to linger.

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