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monologue
drama

The Blood of My Son

from In The Next Room (Vibrator Play)

Written by Sarah Ruhl

In The Next Room (Vibrator Play)

A grief-stricken, resentful, desperate, maternal ELIZABETH's monologue from "In The Next Room (Vibrator Play)" by Sarah Ruhl.

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ELIZABETH

My mother told me to pray each day since I was a little girl, to pray that you borrow everything, everyone you love, from God. That way your heart doesn’t ‘break when you have to give your son, or your mother, or your husband, back to God. I prayed, Jesus, let me be humble. I borrowed my child, I borrowed my husband, I borrowed my own life from…

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Scene Notes & Audition Tips

5 sections
About This Scene

This dramatic monologue features ELIZABETH, a character consumed by a complex tapestry of grief, resentment, and maternal desperation. Set in a contemporary period, the piece delves into the profound pain of loss, specifically within the context of motherhood and infant mortality. The scene offers a raw and vulnerable exploration of faith, ownership, and the unbearable ache of surrendering what feels inherently yours.

Character Analysis

ELIZABETH is a woman grappling with the unimaginable. Her grief is not quiet; it's sharp, laced with resentment towards a higher power she feels has betrayed her, despite her lifelong devotion. Beneath her anger and desperation lies an enduring maternal love that refuses to be extinguished, even in the face of profound loss. She is a character who has been taught to believe in a certain order, only to have that order brutally shattered, leaving her questioning everything she once held true.

Why This Works for Auditions

This monologue is an excellent choice for auditions as it immediately showcases a wide range of intense emotions. Actors can demonstrate their ability to navigate complex internal conflicts, moving seamlessly between profound sadness, seething anger, and a desperate plea for understanding. The contemporary setting allows for grounded, realistic performances, while the thematic depth provides ample opportunity for actors to reveal emotional intelligence and vulnerability.

Best Suited For

This piece is ideally suited for female actors in the 20s-40s age range who embody leading lady qualities, dramatic depth, and a capacity for vulnerability and intensity. It’s perfect for those aiming for roles that require a deep well of emotion, particularly characters who are strong yet broken, matriarchal figures facing immense challenges, or individuals confronting profound personal loss. It particularly shines for general auditions where a powerful, character-driven dramatic piece is desired.

Performance Tips

When performing this monologue, focus on the underlying conflict between ELIZABETH's learned faith and her visceral emotional reality. Allow her resentment to surface authentically, not as mere anger, but as a byproduct of her intense love and sorrow. Pay close attention to the rhythm of the language; Ruhl’s writing often possesses a poetic quality that can inform your delivery. Emphasize the shift from her mother's teachings to ELIZABETH’s personal, agonizing experience of loss, highlighting the devastating weight of her maternal bond.

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