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    The Closing Argument on Fascism

    from JFK

    Written by Oliver Stone, Zachary Sklar

    JFK

    District Attorney Jim Garrison delivers a powerful closing argument, challenging the jury to confront the conspiracy and fascism behind the JFK

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    JIM

    The Official Legend is created and the media takes it from there. The glitter of official lies and the epic splendor of the thought-numbing funeral of J.F.K. confuse the eye and confound the understanding. Hitler always said "the bigger the lie, the more people will believe it." Lee Oswald - a crazed, lonely man who wanted attention and got it by…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Oliver Stone and Zachary Sklar for the award-winning contemporary drama JFK, this powerful monologue features District Attorney Jim Garrison presenting his closing argument in a courtroom. Standing before the jury and his colleagues, Jim delivers an impassioned address that directly challenges the courtroom to confront national conspiracy, justice, and the emergence of fascism. It serves as a formidable dramatic speech that operates on a grand political canvas while maintaining personal conviction.

    Character Analysis

    Jim is a dedicated district attorney in his forties who embodies the qualities of an intense leading man and everyday authority figure. Driven by an urgent sense of civic responsibility, he refuses to accept official narratives that obscure difficult truths. His delivery relies on sharp analytical intellect fused with deep patriotic grief, transforming a legal summation into a heartfelt defense of constitutional values.

    Why This Works for Auditions

    This piece provides an exceptional showcase for an actor's vocal control, sustained stamina, and rhetorical command. Because the text functions as an immediate appeal to listeners, it requires you to build an argument logically while sustaining high theatrical stakes throughout. Casting panels can quickly assess your gravitas, emotional range, and capability to handle dense, ideas-driven dialogue without losing theatrical authenticity.

    Best Suited For

    The monologue is best suited for male performers aged thirty-five to forty-five reading for intense leading man, legal counsel, or authoritative roles. It fits exceptionally well in self-tape submissions, agent showcases, drama school auditions, and general craft practice. It is particularly effective when you want to highlight moral authority and commanding presence in a dramatic context.

    Performance Tips

    Pace your delivery deliberately and avoid playing the ending from the very first sentence. Treat the jury as individual human beings who must be persuaded step by step rather than an abstract crowd to shout down. Anchor your fiery civic indignation with the profound sense of loss that motivates the character's journey. Allowing space between your key ideas helps the historical points land clearly and prevents the passionate summation from becoming one-note.

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