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    Film
    duologue
    Drama

    The Fear of Things

    from A Single Man

    Written by Tom Ford, David Scearce

    A Single Man

    A student approaches his professor to discuss existential fear and drug use, leading to a rare moment of personal vulnerability and connection.

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    Scene PreviewExcerpt — subscribe to read full scene

    KENNY

    Sir! May I speak to you for a minute? I have to go down to the bookstore.

    KENNY

    Why don’t you talk to us like that all the time?

    GEORGE

    I don’t think it went over very well.

    KENNY

    Man, fear of things gets to me all the time, but you can’t talk about it with anyone or you just sound like a fool.

    GEORGE

    You can’t even talk about it with Lois?

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This compelling duologue, "The Fear of Things," is extracted from the critically acclaimed film *A Single Man*, co-written by Tom Ford and David Scearce. It features a poignant encounter between Kenny, a young student, and George, his professor, unfolding in a contemporary academic setting. The scene masterfully explores themes of vulnerability, existential fear, and unexpected connection as Kenny initiates a deeply personal conversation about his anxieties and drug use, prompting a surprising, candid response from George. This exchange strips away typical student-professor formalities, revealing raw human experiences and a rare moment of shared intimacy.

    Character Analysis

    Kenny, a 20-year-old student, projects an intense and vulnerable persona, driven by an acute awareness of his fears and a search for understanding beyond conventional boundaries. He initiates a conversation that rapidly delves into profound personal territory, revealing his struggles with anxiety and drug use as coping mechanisms. George, at 52, initially maintains a guarded, authoritative demeanor, but is progressively drawn into Kenny’s candidness, eventually sharing his own surprising vulnerabilities and past experiences. Both characters demonstrate a capacity for openness, though George’s is harder won, making their connection feel earned and authentic.

    Why This Works for Auditions

    This scene offers a rich tapestry for actors looking to showcase emotional depth and nuanced performance. Its dramatic genre and vulnerable tone allow for a wide range of expression, moving from initial trepidation to startling confession and unexpected levity. The power dynamics shift subtly throughout the exchange, providing excellent opportunities to demonstrate active listening and responsive acting. Furthermore, the contemporary setting and relatable themes of anxiety and connection resonate strongly, making it a highly effective piece for various audition contexts where authenticity and emotional truth are paramount.

    Best Suited For

    "The Fear of Things" is an excellent choice for actors in the 18-25 age range, particularly those looking to portray a student archetype with significant emotional weight. It is ideal for drama school auditions, agent showcases, and self-tapes, allowing actors to display their capability to handle complex emotional arcs and interpersonal dynamics. This scene also works exceptionally well for general practice, helping actors explore vulnerability and build strong, believable character relationships within a short format. The contrasting ages make it a particularly strong vehicle for showcasing an actor's ability to navigate hierarchical relationships with depth and honesty.

    Performance Tips

    For Kenny, lean into the character’s raw honesty and youthful intensity, ensuring his questions come from a place of genuine curiosity and desperation, not disrespect. Explore the nervous energy and underlying fear that drives his confession, allowing his vulnerability to slowly disarm George. For George, focus on the initial hesitation and professional reserve, gradually allowing Kenny’s directness to break through his defenses. Show the internal conflict between maintaining boundaries and being authentically present, letting moments of unexpected humor or shared humanity land with impactful sincerity. Both actors should pay close attention to the subtext and unspoken connection forming between them.

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