Film
duologue
Comedy-Drama

The Size of a Mouse

from Sorry Baby

Written by Colman Domingo

Sorry Baby

Agnes and Lydie share a quiet, intimate moment as Agnes touches Lydie's stomach and they discuss the early stages of her pregnancy. The conversation shifts from humorous comparisons of the fetus's size to a mouse to the genuine fear and vulnerability Lydie feels regarding childbirth and the responsibility of motherhood.

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Scene PreviewExcerpt — subscribe to read full scene

AGNES

Can I touch it?

LYDIE

Sure.

LYDIE

Agnes touches Lydie’s stomach through her jacket.

AGNES

I don’t really feel anything.

LYDIE

Yeah, it’s not, like, a baby yet.

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Scene Notes & Audition Tips

5 sections
About This Scene

This intimate duologue from Colman Domingo’s "Sorry Baby" explores the delicate balance between humor and profound vulnerability during the early stages of an unexpected pregnancy. Agnes and Lydie share a tender moment where Agnes physically connects with Lydie’s burgeoning motherhood, initially with lighthearted speculation about the fetus’s size. The conversation quickly deepens as Lydie articulates her fears surrounding childbirth and the immense responsibility of bringing a new life into the world, allowing for a poignant exploration of friendship and burgeoning maternal anxiety.

Character Analysis

Agnes is supportive and inquisitive, acting as a sounding board and a source of gentle, if sometimes tactless, comfort for her friend. She embodies the "Best Friend" or "Quirky" archetype, offering a blend of genuine care with a slightly irreverent, playful approach, which inadvertently highlights Lydie’s deeper anxieties. Lydie, on the other hand, navigates a complex emotional landscape, moving from slightly amused tolerance of Agnes’s curiosity to raw, unvarnished fear about her impending motherhood. Her dialogue reveals a character who is "Vulnerable" yet also grounded in the physical reality and emotional weight of her situation, grappling with fear for the pain of childbirth and the profound desire to be a "good person" and raise a "good person."

Why This Works for Auditions

This scene offers actors a fantastic opportunity to showcase a wide range of emotions within a naturalistic, contemporary setting. The shift from lighthearted banter about a "mouse-sized" baby to a deep dive into existential fears demonstrates an actor’s ability to handle comedic timing and dramatic vulnerability. The conversational rhythm and intimate subject matter allow for subtle, nuanced performances, highlighting active listening, genuine connection, and the ability to build emotional stakes without relying on external conflict. It's an excellent piece for demonstrating authentic friendship dynamics and emotional depth.

Best Suited For

This scene is particularly well-suited for actors in the 18-25 age range, especially those looking to portray "Ingenue," "Best Friend," "Girl Next Door," "Vulnerable," or "Quirky" casting types. It’s ideal for actors who can convey both warmth and emotional fragility, demonstrating a capacity for both comedic lightness and profound dramatic weight. The contemporary period and vulnerable tone make it a strong choice for actors seeking material that highlights emotional intelligence and realistic interpersonal dynamics.

Performance Tips

Focus on the subtext and unspoken connection between Agnes and Lydie. For Lydie, allow the initial humor to gradually give way to genuine, almost overwhelming, fear; show the weight of her impending motherhood through subtle physical and vocal shifts. For Agnes, ensure her curiosity and supportive nature are always present, even when her comments might unintentionally heighten Lydie’s anxiety, creating an authentic portrayal of a well-meaning friend. Pay close attention to the rhythm of the dialogue, letting silences and shared glances communicate as much as the words themselves to capture the scene's intimate and vulnerable essence.

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