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    Film
    duologue
    Comedy

    The Morning After

    from Wedding Crashers

    Written by Steve Faber, Bob Fisher

    Wedding Crashers

    Jeremy, traumatized by a bizarre and aggressive sexual encounter from the night before, desperately tries to convince John to leave the Cleary estate. John, who is becoming genuinely infatuated with Claire, manipulates Jeremy into staying by invoking their 'crasher rules' and appealing to their friendship.

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    Scene PreviewExcerpt — subscribe to read full scene

    JOHN

    There he is . . . it’s the little/big guy, get in here, wait till you see the spread. Anything you want . . .

    JEREMY

    Get what you want to go. The next ferry leaves in 25 minutes. We gotta get out of here.

    JOHN

    What’s your problem? Have some of this stuff.

    JEREMY

    I didn’t get a lot of sleep last night, John. I’m fried.

    JOHN

    Soft mattress?

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This comedic duologue, "The Morning After," comes from the film *Wedding Crashers* and centers on the chaotic aftermath of a wedding. Jeremy, deeply unsettled by his traumatic experiences overnight, desperately tries to convince John that they must leave immediately. John, however, is consumed by his growing infatuation with Claire and expertly manipulates Jeremy into staying, skillfully using their established 'crasher rules' and appealing to their long-standing friendship.

    Character Analysis

    John presents as a charming and manipulative lead, driven by his attraction to Claire but also deeply loyal to his friendship with Jeremy, albeit in a self-serving way at times. His comedic timing lies in his subtle deflections and attempts to calm Jeremy while pursuing his own agenda. Jeremy is the frantic, traumatized comic relief, experiencing genuine distress that he struggles to articulate clearly amidst John's nonchalance. While portraying vulnerability and desperation, Jeremy also maintains a strong sense of comedic exaggeration in his recounting of the night's events and his desire to flee.

    Why This Works for Auditions

    This duologue offers fantastic opportunities for actors in their 30s-40s to showcase contrasting comedic performances within a single scene. The interplay between John's charming manipulation and Jeremy's frantic trauma provides excellent material for demonstrating range in comedic timing, emotional expression, and character dynamics. It’s a fast-paced, high-energy scene that keeps both actors engaged, making it perfect for an agent-showcase or self-tape where strong character choices and quick reactions are paramount.

    Best Suited For

    This scene is ideally suited for male actors in the 30-40 age range who excel in comedic performances that involve a strong sense of friendship and dynamic interaction. Those looking to audition for Leading Man or Charming roles would find John an excellent choice, while actors drawn to Comic Relief, Everyman, or Best Friend archetypes will shine as Jeremy. It’s also superb for actors who can convey both superficial charm and deeper, manipulative undertones, or those who can skillfully navigate extreme emotional distress with a comedic flair.

    Performance Tips

    For John, focus on maintaining a relaxed, almost dismissive demeanor initially, allowing Jeremy's chaos to highlight your character's cool. Your manipulation should be subtle, building gradually. Prioritize active listening and reacting to Jeremy's increasingly bizarre revelations, even as you maintain your own objective. For Jeremy, lean into the physical comedy of your trauma. Your agitation should manifest not just in your voice, but also in your posture, gestures, and inability to settle. Ensure your desperation feels palpable, but don't shy away from the comedic exaggeration inherent in the writing, allowing your "bro-mantic" bond with John to underscore your genuine plea.

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