Film
duologue
Thriller, Political Drama
2 Characters

The Policy of Non-Negotiation

from BURIED

Written by Chris Sparling

Paul Conroy, a civilian contractor buried alive in a coffin, desperately pleads for help from a government official. The tension escalates as he realizes that bureaucratic policy and the refusal to negotiate with terrorists may seal his fate.

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REBECCA

Rebecca Browning.

PAUL

Hello?

REBECCA

Yes, hello. I was just informed of your situation.

PAUL

Yeah, my situation. I’m running out of time and you people keep putting me on hold. What the hell is wrong with you?

REBECCA

I’m sorry.

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Scene Notes & Audition Tips

5 sections
About This Scene

This contemporary duologue from the thriller film *BURIED* offers a powerful two-hander with high stakes and intense emotional conflict. Paul, a civilian contractor, is literally buried alive and desperately pleading for his life, while Rebecca, a government official, navigates bureaucratic policies that directly threaten his survival. The scene is a masterclass in building tension through conflicting objectives and a palpable sense of urgency, providing actors with rich material to explore themes of desperation, infuriation, and the cold reality of institutional policy.

Character Analysis

Paul is the embodiment of raw desperation and claustrophobic terror, an Everyman thrust into an unimaginable nightmare. His emotional journey in this scene moves from frantic pleading to explosive anger and profound realization as his hope is systematically stripped away. Rebecca, on the other hand, represents the authority figure, initially calm and collected, but subtly revealing a tension of her own as she upholds an infuriating and unyielding policy. She must convey a sense of genuine concern while remaining bound by stringent rules, creating a complex internal conflict for the actor to portray.

Why This Works for Auditions

This scene is excellent for auditions because it provides a contained, high-stakes emotional arc for both characters within a short timeframe. The telephone format makes it highly adaptable for self-tapes, allowing actors to clearly present their work without needing an in-person scene partner. It showcases the ability to convey profound desperation, frustration, and a shift in understanding, which are critical skills in dramatic acting and appeal to casting directors looking for actors who can handle intense, character-driven material.

Best Suited For

This duologue is best suited for actors in their 40s playing Paul, and actors in their 30s-50s for Rebecca, aligning with the contemporary age range and professional tone. It is particularly effective for those looking to portray characters with immense emotional weight and a strong sense of urgency. The "Everyman" and "Authority Figure" casting types are perfectly matched by these roles, allowing actors to demonstrate their range in depicting vulnerability under duress or the difficult adherence to policy.

Performance Tips

Actors performing this scene should pay close attention to the rising stakes and the character's journey through frustration and desperation. For Paul, focus on the visceral experience of being trapped and the rapid shifts in his emotional state from pleading to aggressive anger, using breath and vocal quality to convey his deteriorating situation. For Rebecca, maintaining a veneer of professional calm while subtly hinting at the inner conflict caused by her inability to help will be key; her moments of silence can be as powerful as her lines, revealing the weight of her position. Remember that the entire scene is driven by the fact that they are not in the same physical space, making listening and reacting to the unseen partner paramount.

CharactersPaul, Rebecca
Duration00:03:00
Age Range40s & 30s-50s
GenderMale & Female
GenreThriller, Political Drama
PeriodContemporary
Formatduologue
SourceBURIED
ToneFrustrated, desperate, bureaucratic, infuriating
AccentAmerican
Suitable Forself tape, general practice, agent showcase
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