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Comedy

Titania and Oberon: Music, Ho

from A Midsummer Night's Dream

Written by William Shakespeare

Oberon observes the sleeping Titania and Bottom, feeling pity for her induced infatuation. Having secured the changeling boy, he uses an antidote to break the love spell, leading to Titania's confused awakening and their reconciliation.

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TITANIA

My Oberon! what visions have I seen! / Methought I was enamour'd of an ass.

OBERON

There lies your love.

TITANIA

How came these things to pass? / O, how mine eyes do loathe his visage now!

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Scene Notes & Audition Tips

5 sections
About This Scene

Taken from William Shakespeare's classical comedy A Midsummer Night's Dream, this scene brings Oberon, Titania, and Puck together at a pivotal turning point. Oberon observes his enchanted queen resting alongside the transformed Athenian weaver and finds himself moved to pity. Having successfully secured the changeling boy, the fairy king applies an herbal antidote to lift the enchantment. Titania awakes in profound disorientation, realizing the nature of her recent infatuation and stepping into a tender reconciliation with her husband.

Character Analysis

Oberon balances the imposing presence of an authority figure with sudden empathy, dropping his vengeful pride when he sees his queen humiliated. Titania shifts from intense, spell-induced affection to bewildered horror upon opening her eyes, requiring the actor to navigate royal dignity alongside raw vulnerability. Puck serves as the watchful magical agent, ready to execute Oberon's commands and restore the natural order of the forest.

Why This Works for Auditions

This excerpt allows performers to tackle heightened Shakespearean verse while demonstrating subtle emotional progression. Instead of remaining in broad farce, the dynamic demands stillness, genuine listening, and believable intimacy between the royal pair. Panelists can observe how well the cast handles lyrical scansion, status transitions, and the vulnerable resolution of high-stakes conflict.

Best Suited For

The material is excellent for drama school auditions, classical competitions, and general practice. It provides distinct opportunities for actors playing Leading Man, Leading Lady, or Authority Figure roles within the 25 to 35 age bracket. Ensembles seeking a compact classical group piece with lyrical depth and magical atmosphere will find it exceptionally rewarding.

Performance Tips

Anchor the magical circumstances in grounded physical truths rather than theatrical tropes. Oberon should allow the shift from triumph to sympathy to occur visibly before administering the antidote. For Titania, resist rushing the awakening; allow the sensory shock of the enchantment clearing to register across your entire body. Maintain clear vocal breath support through the poetic meter to keep the reconciliation feeling earned, rhythmic, and luminous.

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