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monologue
Comedy

The Children of Perdition

from The Alchemist

Written by Ben Jonson

Act III, Scene 1. Tribulation Wholesome, a hypocritical Puritan pastor, justifies working with the alchemist Subtle by arguing that even the 'children of perdition' can be instruments of God. He lectures his companion on the need for patience and the necessity of obtaining the philosopher's stone to restore their religious sect to power.

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TRIBULATION

Not always necessary: The children of perdition are oft-times

TRIBULATION

Made instruments even of the greatest works:

TRIBULATION

Beside, we should give somewhat to man's nature,

TRIBULATION

The place he lives in, still about the fire,

TRIBULATION

And fume of metals, that intoxicate

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Scene Notes & Audition Tips

5 sections
About This Scene

Set in Ben Jonson's celebrated classical comedy *The Alchemist*, this powerful monologue takes place in Act III, Scene 1. Tribulation Wholesome, a sanctimonious Puritan pastor, delivers an elaborate justification for working alongside the roguish alchemist Subtle. Driven by greed and sectarian ambition, Tribulation lectures his companion on the virtue of patience, arguing that even wicked souls can become instruments of God to help obtain the philosopher's stone and restore their religious group to power.

Character Analysis

Tribulation Wholesome serves as a biting satirical portrait of religious hypocrisy and self-serving ambition. Operating as an imposing authority figure and clergyman, he projects an aura of pious purity while effortlessly rationalizing moral compromise. His sophistication lies in his ability to twist high-minded theological arguments to disguise material greed. Playing Tribulation requires balancing his outward spiritual devotion with the calculated mind of a pragmatic opportunist.

Why This Works for Auditions

This two-minute classical speech provides a distinctive audition selection that balances comedic satire with commanding theatrical presence. It gives the performer an exceptional opportunity to handle Ben Jonson's dense rhetorical phrasing and rhythmic language with clarity and intent. Audition panels frequently see tragic classical monologues, so this elevated comedic piece stands out by demonstrating rhetorical mastery, emotional commitment, and the ability to find dramatic power inside satire.

Best Suited For

This classical piece is ideally suited for male character actors aged approximately 35 to 45 who naturally command authority onstage. It serves as an exceptional choice for drama school auditions, classical competitions, and professional stage casting calls. Performers specializing in dramatic clergyman roles, sophisticated schemers, and period satire will find this text especially rewarding.

Performance Tips

Approach the monologue with total earnestness rather than tipping your hand to the audience that the pastor is a hypocrite. The comedy lands most effectively when Tribulation entirely believes his own intellectual gymnastics and feels an urgent necessity to convince his companion. Keep the rhetorical argument driving forward, using the language to build momentum rather than rushing the ideas. Anchor yourself in the physical stillness and vocal weight appropriate for a respected religious leader pursuing high-stakes goals.

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