Free Plan Usage
Unlock with Pro:
Ben, a psychiatrist, attempts to help Paul Vitti, a mob boss, uncover the roots of his anxiety by discussing his childhood dreams. The conversation shifts from humorous misunderstandings to a painful breakthrough regarding the murder of Vitti's father and the lost potential of his life.
BEN: Well, let's think. When you were a kid, What did you want to be?
VITTI: I don't know. Who remembers that stuff?
BEN: You must've wanted to be something when you were little -- fireman?
VITTI: No.
BEN: Baseball player?
VITTI: No.
BEN: Astronaut?
VITTI: No.
BEN: Al Capone?
VITTI: Yeah, maybe. Wha
Create a free account to explore more
Upgrade to Pro for full access — £6.99/month
Director's Notes
Explore More
Want expert coaching on this scene?
Browse our curated list of acting coaches, dialect specialists, and more.
Need representation?
Browse verified agents and casting directors in our directory.
How well does this scene match you?
Save your casting profile to see match scores on every scene.
Try Headshot AnalyserGo Pro
£6.99/mo
- ✓ Unlimited scene reading
- ✓ PDF downloads
- ✓ Director's Notes
- ✓ Headshot Analyser
- ✓ Cover Letter Generator
- ✓ Practice Mode
- ✓ Agent Connect
- + 1,000+ scenes
Similar Scenes
The Replacements - The Quarterback Offer
from The Replacements
Coach McGinty visits Shane Falco at his boat yard to recruit him as a replacement quarterback during a professional football strike. Shane is hesitant and haunted by his past failures, but McGinty challenges him to reclaim his fire and take one last shot at glory.
The Store Robbery Aftermath
from Thelma & Louise
Following a spontaneous armed robbery at a convenience store, Thelma and Louise speed away in their car. Thelma is exhilarated by her newfound criminal streak while Louise is panicked by the escalating legal stakes of their journey.
Being John Malkovich - The Interview
from Being John Malkovich
Craig Schwartz, a struggling puppeteer, interviews for a filing job at the eccentric LesterCorp. The scene highlights the surreal nature of the company's office—located on a floor with half-height ceilings—and establishes the bizarre, existential tone of the workplace.
Act II — The Ending (Waiting for Godot)
from Waiting for Godot
In the final moments of the play, Vladimir and Estragon contemplate suicide and the possibility of leaving, only to remain trapped in their cycle of waiting for the mysterious Godot.