Film
duologue
Comedy-Drama
Romance

You Are Trying to Seduce Me

from The Graduate

Written by Buck Henry

The Graduate

A nervous college graduate confronts an older family friend about her suggestive behavior, only to be manipulated further into her bedroom.

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Scene PreviewExcerpt — subscribe to read full scene

BEN

For God’s sake, Mrs. Robinson, here we are, you’ve got me into your house. You give me a drink. You put on music, now you start opening up your personal life to me and tell me your husband won’t be home for hours.

MRS. ROBINSON

So?

BEN

Mrs. Robinson - you are trying to seduce me.

BEN

Aren’t you?

MRS. ROBINSON

Why no. I hadn’t thought of it. I feel…

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Scene Notes & Audition Tips

5 sections
About This Scene

This iconic duologue from "The Graduate" captures a pivotal moment of escalating tension and manipulation between a young college graduate, Ben, and an older family friend, Mrs. Robinson. Set in a modern-classic period, the scene unfolds with Ben confronting Mrs. Robinson about her suggestive behavior, only for her to expertly turn the tables and draw him deeper into her psychological game. The tone shifts from initial awkward confrontation to vulnerable confusion for Ben, while Mrs. Robinson maintains a cool, calculating demeanor, highlighting a complex dynamic of power and desire.

Character Analysis

Ben is a vulnerable and somewhat naive young man, freshly graduated and facing an uncertain future, which makes him susceptible to Mrs. Robinson's influence. He initially attempts to assert himself but quickly becomes flustered and apologetic, revealing his inexperience and social awkwardness. Mrs. Robinson, in contrast, embodies the Femme Fatale archetype; she is sophisticated, manipulative, and possesses a keen understanding of human psychology, using subtle tactics to disarm and control Ben. Her outward calm belies a deep-seated desire or boredom, which she projects onto the younger man.

Why This Works for Auditions

This scene offers a fantastic opportunity for actors to showcase a broad range of emotional shifts and subtext in a concise two to three-minute duration. The clear power imbalance and the push-and-pull dynamic between the characters allow for nuanced performances, particularly in conveying vulnerability, awkwardness, seduction, and manipulation. It’s a well-known piece, which can be an advantage as casting directors will appreciate an actor's unique take on such a memorable confrontation, demonstrating their ability to handle complex dialogue and character intentions.

Best Suited For

This duologue is exceptionally well-suited for actors in the 18-25 age range looking to portray vulnerability, awkwardness, and a sense of being an outsider, making it ideal for drama school auditions or self-tapes. For those playing Mrs. Robinson, typically in their 40s-50s, it’s perfect for showcasing sophistication, manipulative charm, and a powerful presence, fitting for agent showcases or general practice. It's a superb choice for actors who can convey strong sexual tension and psychological confrontation without resorting to overt dramatics, relying instead on subtext and subtle shifts in delivery.

Performance Tips

For Ben, focus on the nervous energy and the internal conflict between his desire to escape and his growing fascination, allowing his discomfort to be palpable and authentic. His apologetic turns and moments of confusion should feel genuine, reflecting his lack of worldly experience. For Mrs. Robinson, the key is understatement; her power lies in her control and the psychological games she plays, so deliver lines with a calm, almost detached confidence that masks her deeper intentions. Pay close attention to pacing and pauses, using them to build tension and highlight the emotional chess match unfolding between the two characters.

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