Film
duologue
Comedy-Drama
Romance

You Are Trying to Seduce Me

from The Graduate

Written by Buck Henry

The Graduate

A nervous college graduate confronts an older family friend about her suggestive behavior, only to be manipulated further into her bedroom.

Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

Rehearse this scene
Rehearse on your terms

Choose your role and voices for the other characters. Run the scene at your own pace.

Scene PreviewExcerpt — subscribe to read full scene

BEN

For God’s sake, Mrs. Robinson, here we are, you’ve got me into your house. You give me a drink. You put on music, now you start opening up your personal life to me and tell me your husband won’t be home for hours.

MRS. ROBINSON

So?

BEN

Mrs. Robinson - you are trying to seduce me.

BEN

Aren’t you?

MRS. ROBINSON

Why no. I hadn’t thought of it. I feel…

End of preview. Continue with Pro below.

7 days freeYour next rehearsal starts here

Found your next scene? Make it yours.

Start your free trial and read You Are Trying to Seduce Me in full, with access to 3,000+ monologues and scenes to explore next.

  • Read the full scene and explore the library
  • Download your script in a clean, printable format
  • Take it into rehearsal with the Script Reader
Casting Types
Get Feedback
Coming Soon

Want expert coaching on this scene?

Browse our curated list of acting coaches, dialect specialists, and more.

Find a Coach

Need representation?

Browse verified agents and casting directors in our directory.

Scene Notes & Audition Tips

5 sections
About This Scene

This classic duologue from *The Graduate* plunges two characters, Ben and Mrs. Robinson, into a highly charged and awkward encounter. What begins as a young man's hesitant accusation of seduction quickly devolves into a masterful display of manipulation. The scene’s tension builds through a series of subtle power shifts, revealing the complex dynamics between a newly graduated, vulnerable man and a sophisticated, older woman. It’s a compelling exploration of boundaries, desire, and the discomfort of unstated intentions.

Character Analysis

Ben is a highly vulnerable and inexperienced young man, fresh out of college and utterly overwhelmed by the situation. He attempts to assert himself but is easily flustered and manipulated, showcasing his naivety and discomfort with sexual tension. Mrs. Robinson, on the other hand, is the quintessential femme fatale – sophisticated, cunning, and completely in control. She uses passive aggression, emotional manipulation, and her mature allure to disarm Ben, always staying one step ahead. Both characters are layered, with Ben's earnestness clashing against Mrs. Robinson's calculated detachment.

Why This Works for Auditions

This scene is a fantastic choice for auditions because it showcases a wide range of emotions and an actor's ability to navigate complex subtext. The rapid shifts from confrontation to apology, and then to insidious manipulation, demand nuanced performances from both actors. It provides ample opportunity to demonstrate vulnerability, awkwardness, seduction, and power dynamics, all within a relatively short timeframe. This scene’s modern-classic status also signals an actor’s familiarity with iconic material.

Best Suited For

This scene is particularly well-suited for actors in the 18-25 age range playing Ben, and 40s-50s playing Mrs. Robinson, who want to showcase their ability to handle intense emotional and psychological tension. It's ideal for those castable as an Everyman or Outsider who can convey discomfort and naivete, and for actors embodying a Sophisticated or Femme Fatale type who can portray subtle manipulation. Its duologue format makes it excellent for drama school auditions, agent showcases, or self-tapes requiring strong two-person interactions.

Performance Tips

For Ben, focus on the palpable discomfort and internal conflict; his dialogue often hides more than it reveals. Lean into his awkwardness and the genuine fear he feels when confronted with Mrs. Robinson's advances and his own inability to navigate them. For Mrs. Robinson, your power lies in your stillness and control. Every line should be delivered with an underlying intention, using subtle shifts in tone and gaze to manipulate. Resist playing her as overtly villainous; instead, let her seductive nature emerge through her composure and calculated responses, never breaking character.

Explore this topic