RADA Audition Monologues

Portia laments the frustration of her situation, where her deceased father's will dictates her marriage prospects, preventing her from choosing her own husband.

Lewis the Dauphin furiously refuses to halt his invasion of England after Cardinal Pandulph announces a peace treaty between King John and the Pope. He argues that having been incited to war by the Church, he will not now be used as a mere instrument or puppet of Rome.

Prince Hamlet contemplates the nature of existence and the finality of death while weighing the pain of life against the fear of the unknown afterlife. He explores the psychological paralysis caused by over-thinking, which prevents him from taking action against his circumstances.

Lord Clifford delivers a powerful, patriotic appeal to a mob of rebels, shaming them for following the pretender Jack Cade and urging them to turn their aggression toward France instead of their own country.

Sir John Hume reveals his double-dealing nature, explaining how he is being paid by both the Duchess of Gloucester to find a witch and by her enemies to lead her into a trap.

Shylock confronts Antonio about his past mistreatment and hypocrisy, questioning why he should lend money to a man who has consistently insulted and degraded him.

Duke Vincentio explains his decision to temporarily hand over power to the strict Lord Angelo. He seeks to disguise himself as a friar to observe how Angelo handles authority and whether his rigid morality holds up under pressure.

Ventidius reflects on the political dangers of a soldier outshining his superior. He explains to Silius why he chooses not to pursue further military conquest, fearing that his success would provoke Antony's jealousy and ruin his career.

King Richard II asserts his divine right to the throne, comparing his majesty to the rising sun that exposes the treachery of Bolingbroke. He declares that no earthly force can depose a king anointed by God.

King Philip of France addresses the citizens of Angiers, demanding they recognize young Arthur's rightful claim to the English throne over King John. He offers a peaceful resolution if they submit, but threatens a violent siege if they refuse.

Henry Bolingbroke returns from exile to confront his uncle, the Duke of York, arguing that he has come to reclaim his rightful inheritance as the Duke of Lancaster after the King seized his father's lands.

The Fool delivers a satirical and paradoxical prophecy about the state of Britain (Albion) amidst a raging storm, mocking the social and moral hypocrisies of the era.

A slightly tipsy actress laments the superficiality of the film industry and her struggle to be taken seriously as a dramatic artist despite her public image.

Act II. A high-stakes real estate salesman, Ricky Roma, ruthlessly berates the office manager, Williamson, for blowing a major deal. Roma unleashes a torrent of verbal abuse, questioning Williamson's competence and masculinity.

Jim recounts a childhood memory of a rare bonding opportunity with his father that took an unexpected turn. The monologue explores themes of isolation, paternal disconnect, and the lingering impact of childhood disappointment. Jim's objective is to share a vulnerable piece of his history with his online peers to establish a sense of belonging.

Gary confronts his partner about the emotional imbalance in their relationship and the toll of their racialized power dynamics. He expresses a profound sense of exhaustion and a reclaimed sense of self-worth after years of feeling undervalued. The scene is a raw exploration of identity, resentment, and the realization that he has prioritized his partner's needs over his own dignity.

Jake, a novelist struggling with a failing marriage and his own sanity, addresses the audience about the 'fresher hell' of his intrusive thoughts. He recounts childhood traumas and the realization that his mother didn't have all the answers, illustrating his current mental spiral.

On her wedding day, Patsy confronts her nihilistic and passive fiancé, Alfred. She desperately pleads with him to engage with life and allow her to mold him into the man she needs.

Lyons defends his lifestyle and passion for music to his father, Troy, explaining that he needs a sense of purpose to survive. He confronts his father's absence during his childhood while asking for a small loan.

A desperate, angry, tormented, raw ROBERTA's monologue from "Danny and the Deep Blue Sea" by John Patrick Shanley.

Act I, Scene 1. Troy Maxson uses baseball metaphors to explain his lack of fear regarding mortality. He boasts about his ability to conquer death just as he once conquered fastballs on the baseball diamond, asserting his strength and defiance in the face of the inevitable.

Act II, Scene 4. Cory finally stands up to his father, Troy, challenging his authority and expressing years of resentment over Troy's controlling nature. The scene marks a pivotal shift in power as Cory refuses to show deference to a man he no longer respects, leading to a physical and emotional breaking point.

Act III. Carol confronts her professor with the news that the tenure committee has ruled against him following her accusations of sexual harassment. She rejects his attempts to appeal to her sympathy, framing his downfall as the direct consequence of his own entitled behavior and abuse of power.

A contemplative, existential, disoriented VINCE's monologue from "Buried Child" by Sam Shepard. Genre: drama.