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Drama

Act I — Deep in Your Heart

from All My Sons

Written by Arthur Miller

Kate, still clinging to the belief that her son Larry is alive, confronts Ann, Larry's former fiancée, about her feelings. Chris, Larry's brother, tries to interject, but Kate insists that Ann, deep down, also believes Larry will return, revealing her own desperate need for this belief.

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MOTHER. (To CHRIS and KELLE sense. (To ANN.) Your mother heh?

ANN. No, she's calmed down about it now. I think when he gets out they'll probably live together. In New York, of course.

MOTHER. That's fine. Because your father is still . . . I mean he's a decent man after all is said and done.

ANN. I don't care. She can take him back if she likes.

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Scene Notes & Audition Tips

5 sections
About This Scene

This intense group scene from Arthur Miller's "All My Sons," Act I, features the characters Mother and Ann, with an interjection from Chris. It delves into themes of grief, denial, and family secrets, set in a post-war period where hope and illusion collide. Mother, clinging to the belief that her son Larry is still alive, presses Ann, Larry's former fiancée, to admit she shares this desperate hope, revealing Mother's profound need for this shared conviction.

Character Analysis

Mother (Kate) is a matriarch gripped by profound grief and denial, manifesting as an intense almost desperate hope for her son's return. Her vulnerability underpins her forceful conviction, making her a complex and dramatic character. Ann is a young professional type, likely trying to move forward, yet she is confronted with the raw emotion of Kate, forcing her to confront her own past feelings and the truth about Larry.

Why This Works for Auditions

This scene is excellent for auditions because it provides clear dramatic arcs for both female characters within a short timeframe. It allows actors to showcase a range of emotions, from denial and desperation to resilience and compassion, making it a compelling demonstration of talent. The group format, with Chris's interjection, adds a dynamic layer, although the primary focus and conflict remain between Mother and Ann.

Best Suited For

This scene is particularly well-suited for actresses aged 35-55 for the role of Mother, and 25-35 for Ann, allowing both to embody the specified age ranges. It is ideal for drama school auditions, agent showcases, and self-tapes where a powerful dramatic performance is required. The tone is intense, making it a strong choice for those wanting to demonstrate their ability to handle emotionally charged material.

Performance Tips

For Mother, focus on the underlying pain and fear that fuel her denial. Her conviction isn't solely anger, but a desperate yearning for what she's lost. For Ann, consider her internal struggle between respectful empathy for Kate and her own need to move forward with the truth. Pay close attention to the shifts in power and emotion within the dialogue, ensuring that every line serves to escalate or deepen the conflict between these two women.

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