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duologue
Drama

Act I, Scene 1 — The New House

from The Gilded Age

Written by Julian Fellowes

The Gilded Age

Bertha Russell shows her son Larry their lavish new New York mansion. She displays her social ambitions and controlling nature as she encourages him to network with the elite Astor family.

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Scene PreviewExcerpt — subscribe to read full scene

BERTHA

Do you know her? You never said.

LARRY

I don’t. Not really. Not much.

BERTHA

Then get to know her. And catch that train.

LARRY

Mama —

BERTHA

I know what I’m doing.

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Scene Notes & Audition Tips

5 sections
About This Scene

This duologue, "Act I, Scene 1 — The New House", presents a powerful dramatic encounter between Bertha and her son, Larry, set within the opulent confines of their new mansion. The scene immediately establishes Bertha's formidable ambition and her desire to leverage her son's connections for social advancement, highlighting a complex mother-son dynamic. It offers a clear window into the characters' distinct personalities and conflicting priorities.

Character Analysis

Bertha is a strong-willed matriarch, driven by an unyielding ambition to ascend New York's elite social ladder. She is controlling and strategic, seeing her son not just as her child but as a tool in her social climbing endeavors. Larry, on the other hand, appears to be a young man grappling with his mother's overbearing nature and potentially his own moral compass, indicating a tension between duty and personal desire.

Why This Works for Auditions

This scene is excellent for auditions because it showcases a clear power dynamic and immediate conflict. The tight dialogue and powerful tone allow actors to demonstrate their ability to portray intense emotion and layered character intention within a short timeframe. It’s a well-written dramatic piece that provides a strong emotional arc for both roles, highlighting a character's drive and command.

Best Suited For

This scene is particularly well-suited for actors aged 45-55 portraying a Leading Lady, Matriarch, Authority Figure, or Sophisticated type. Its themes of social climbing and ambition resonate strongly with period drama aesthetics, making it ideal for those targeting roles in similar productions. It functions exceptionally well for self-tapes, agent showcases, and general practice, allowing actors to hone their dramatic performance skills.

Performance Tips

When approaching Bertha, focus on her unwavering resolve and the underlying desperation that fuels her ambition. Her seemingly casual remarks should carry a weighty, manipulative undertone. For Larry, explore the internal conflict between his love for his mother and his potential discomfort with her methods. Play against Bertha's assertiveness by finding moments of quiet defiance or subtle frustration, making the subtext palpable beneath his responses.

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