Act II, Scene 1 — Brutus and Portia
from Julius Caesar
Written by William Shakespeare

Portia confronts her husband, Brutus, about his recent erratic behavior and secretive late-night meetings. She pleads with him to share his burdens, arguing that as his wife, she deserves to know the secrets weighing on his mind.
PORTIA: Is Brutus sick? and is it physical
To walk unbraced and suck up the humours
Of the dank morning? No, my Brutus;
You have some sick offence within your mind,
Which, by the right and virtue of my place,
I ought to know of.
Create a free account to explore more
Upgrade to Pro for full access — £6.99/month
Director's Notes
Want expert coaching on this scene?
Browse our curated list of acting coaches, dialect specialists, and more.
Need representation?
Browse verified agents and casting directors in our directory.
How well does this scene match you?
Save your casting profile to see match scores on every scene.
Try Headshot AnalyserGo Pro
£6.99/mo
- ✓ Unlimited scene reading
- ✓ PDF downloads
- ✓ Director's Notes
- ✓ Headshot Analyser
- ✓ Cover Letter Generator
- ✓ Practice Mode
- ✓ Agent Connect
- + 1,000+ scenes
More from Julius Caesar
Act I, Scene 2 — The Conspiracy Takes Shape
from Julius Caesar
Brutus and Cassius discuss their concerns regarding Caesar's rising power while Casca provides a cynical account of Caesar refusing a crown offered by Antony. The scene concludes with Cassius plotting to manipulate Brutus into joining the conspiracy against Caesar.
Act II, Scene 1 — It must be by his death
from Julius Caesar
Brutus wanders his orchard at night, struggling with the moral dilemma of assassinating Caesar. He concludes that while Caesar hasn't yet abused his power, the potential for tyranny once he is crowned justifies killing him before he becomes a threat.
Act III, Scene 2 — Brutus' Funeral Oration
from Julius Caesar
Following the assassination of Julius Caesar, Brutus addresses the Roman citizens to justify his actions. He argues that his love for Rome outweighed his personal love for Caesar, framing the murder as a necessary act to prevent tyranny.
Mark Antony's Funeral Oration
from Julius Caesar
Mark Antony delivers a masterful funeral oration for the assassinated Julius Caesar, strategically using irony to undermine the conspirators. He appeals to the emotions of the Roman citizens, highlighting Caesar's generosity and the brutality of his murder to incite the crowd to mutiny. The scene is a high-stakes display of rhetorical manipulation and political maneuvering.
Similar Scenes
Lester and Angela
from American Beauty
A middle-aged man and his daughter's teenage friend share a tense, intimate moment in a living room. The scene explores themes of obsession, insecurity, and the fear of being ordinary.
The Interview — Frank T.J. Mackey
from Magnolia
A high-stakes interview between a charismatic pick-up artist and a journalist turns cold when she confronts him about his fabricated past and his mother's death. Frank's bravado crumbles into a defensive silence as his carefully constructed persona is dismantled.
Ephialtes's Betrayal
from 300
Xerxes tempts the rejected Spartan outcast Ephialtes with promises of wealth, pleasure, and status in exchange for the location of the hidden path behind the Spartan lines. Driven by a lifetime of resentment and a desire for the validation denied to him by Leonidas, Ephialtes agrees to betray his people and kneels before the Persian King.
Act I, Scene 1 — The New House
from The Gilded Age
Bertha Russell shows her son Larry their lavish new New York mansion. She displays her social ambitions and controlling nature as she encourages him to network with the elite Astor family.

