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    Film
    duologue
    Comedy-Drama

    Balls Says Alex Inspired Him

    from Is This Thing On?

    Written by Bradley Cooper and Will Arnett & Mark Chappell

    Is This Thing On?

    Balls emerges from the darkness to tell Alex that Alex's recent life changes have inspired him to finally leave his wife and pursue a new career.

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    Scene PreviewExcerpt — subscribe to read full scene

    BALLS

    Hey!

    ALEX

    Hey man.

    BALLS

    What are you doing?

    ALEX

    Just having a smoke.

    BALLS

    Can I sit with you?

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Bradley Cooper and Will Arnett & Mark Chappell for the contemporary comedy-drama film Is This Thing On?, this vulnerable duologue captures a quiet, late-night confession between close friends. Sitting outside on a back porch, Balls joins Alex to share an unexpected turning point in his life. Believing Alex's recent personal growth proves it is never too late for a fresh start, Balls announces his sudden decision to seek a divorce and pursue an out-of-town creative career.

    Character Analysis

    Balls is emotionally exposed, restless, and desperate to reclaim control after years of quiet marital dissatisfaction. Having suppressed his ambitions for the sake of his family, he now seeks validation and permission from his friend to pursue personal happiness. Alex functions as the grounded, startled confidant who is entirely unprepared to carry the burden of someone else's midlife crisis. Caught off guard during a quiet moment, Alex instinctively tries to pump the brakes on these impulsive, life-altering plans.

    Why This Works for Auditions

    This two-minute scene balances genuine dramatic stakes with natural, comedic desperation. It offers two clear and contrasting dynamics: the manic energy of a character demanding change and the bewildered resistance of a friend being held responsible for it. Casting directors appreciate material that navigates complex adult themes like marriage, aging, and sacrifice without relying on melodrama, making the dialogue feel authentic, grounded, and modern.

    Best Suited For

    This piece is tailored for actors aged thirty-five to forty-five working within Everyman, Best Friend, Character Actor, Working Class, or Dramatic casting types. It serves as strong material for self-tape submissions, agent showcases, and general partner practice. Because the characters can be performed by actors of any gender, performers have substantial freedom to explore different relationship dynamics and shared histories.

    Performance Tips

    Keep the physical life of the scene grounded in the damp, quiet atmosphere of a late-night back porch. If playing Balls, avoid treating the divorce announcement as a punchline; root the decision in real exhaustion and a genuine longing to be seen. If playing Alex, resist overreacting right away, and instead let your physical stillness highlight your mounting concern. Trust the natural tempo of long-standing friendships, allowing the silences between the dialogue to breathe.

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