Tv
duologue
Comedy-Drama

Chris' Car

from Barry

Written by Alec Berg, Bill Hader

Barry

After committing a murder, Chris is wracked with guilt and wants to confess to the police. Barry, a hitman, tries to convince him to stay quiet, revealing the dangerous consequences of involving the authorities and the criminal underworld he's entangled with.

Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

Rehearse this scene
Rehearse on your terms

Choose your role and voices for the other characters. Run the scene at your own pace.

Scene PreviewExcerpt — subscribe to read full scene

CHRIS

We just left their bodies out there. What...what do I do next time I see Vaughan's girlfriend. What do I say?

BARRY

Say you don't know anything. We just gotta lay low, man. And keep quiet about all this.

CHRIS

I fuckin' killed a guy. I...I wasn't in the shit, man, I was in logistics. I never shot anyone.

BARRY

You had to do it.

CHRIS

I can't…

End of preview. Continue with Pro below.

7 days freeYour next rehearsal starts here

Found your next scene? Make it yours.

Start your free trial and read Chris' Car in full, with access to 1,000+ monologues and scenes to explore next.

  • Read the full scene and explore the library
  • Download your script in a clean, printable format
  • Take it into rehearsal with the Script Reader
Casting Types
Get Feedback
Coming Soon

Want expert coaching on this scene?

Browse our curated list of acting coaches, dialect specialists, and more.

Find a Coach

Need representation?

Browse verified agents and casting directors in our directory.

Scene Notes & Audition Tips

5 sections
About This Scene

This intense duologue, titled 'Chris' Car,' is an excerpt from the Emmy and Golden Globe-winning series *Barry*. Set in a car at dusk, it captures a raw and pivotal moment between two men struggling with the immediate aftermath of a violent crime. The scene masterfully blends comedy-drama, presenting a high-stakes conversation where one character is consumed by guilt and the other attempts to navigate dangerous consequences. This perfectly showcases the intricate emotional and moral dilemmas at play. It offers a fantastic opportunity for two male actors to explore complex themes of culpability, fear, and coercion in a contained and gripping format.

Character Analysis

Chris is riddled with fresh guilt and overwhelming panic, making him vulnerable and desperate. He is an Everyman thrust into a horrific situation, unprepared for the psychological toll of taking a life, and his internal conflict drives the scene's tension. Barry, in contrast, operates from cold calculation and experience within a criminal underworld. While seemingly trying to soothe Chris, Barry is also subtly coercive, revealing the dangerous implications of their shared deed and the network he is entangled with. Their contrasting reactions create a dynamic where Chris represents the immediate, emotional fallout, and Barry embodies the longer-term, more chilling consequences.

Why This Works for Auditions

This duologue is incredibly versatile and effective for auditions due to its high stakes and intense emotional arc within a three-minute contemporary piece. It allows actors to showcase a broad range of reactions, from genuine remorse and fear to calculated manipulation and underlying threat, all within a realistic, relatable setting. The confined space of the car amplifies the tension, forcing intimate and urgent performances. The well-defined character objectives and obstacles provide clear dramatic action for both performers, making it excellent material for self-tapes, general practice, or competitive settings.

Best Suited For

This scene is ideally suited for male actors aged 25-35 who can portray a blend of intense vulnerability and simmering desperation for Chris, or a controlled, subtly menacing pragmatism for Barry. It is particularly strong for performers looking to demonstrate their ability to handle complex emotional states under pressure, and those comfortable with dark comedy-drama material. Actors aiming for roles requiring a gritty, anti-heroic, or morally compromised feel will find this a strong choice, especially if seeking casting types like 'Everyman' or 'Intense'.

Performance Tips

When approaching Chris, lean into the character's profound shock and moral struggle. Don't be afraid to show the physical manifestations of his anxiety and guilt, allowing his growing desperation to propel his desire to confess. For Barry, focus on the underlying threat and his practical, world-weary approach to dangerous situations. While he attempts to calm Chris, there is always a calculating edge to his words, revealing his deep knowledge of the criminal world and his ultimate goal of self-preservation. Remember the stakes are incredibly high for both, so play the urgency and the subtext of their conflicting desires, allowing the confined space to heighten the emotional pressure.

Explore this topic