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duologue
Comedy-Drama

Driving Miss Daisy — First Drive

from Driving Miss Daisy

Written by Alfred Uhry

Daisy, an elderly woman, is being driven by her new chauffeur, Hoke, for the first time. She is highly critical of his driving and tries to assert control over the journey, despite not being able to drive herself. Hoke remains patient and good-humored, navigating her demands.

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DAISY Wait. You don't know how to run this cart

HOKE Ain' you jes' seen me do it? Anyway, thisshere automatic. Any · fool can run it.

DAISY Any· fool but me, apparently.

HOKE Ain' no need to be so hard on yoseff now. You cain' drive, but you probably do alotta things I cain do. It all work out.

DAISY The idea!

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Scene Notes & Audition Tips

5 sections
About This Scene

This comedic duologue, "First Drive," introduces the spirited dynamic between Daisy and her new chauffeur, Hoke. It captures their initial encounter as Hoke attempts to drive Daisy for the very first time. The scene brilliantly showcases Daisy's stubborn, assertive nature combined with Hoke's patient and good-humored approach to her incessant criticisms and attempts to control the journey.

Character Analysis

Daisy is presented as a formidable matriarch, accustomed to being in control and highly critical, even when her arguments are illogical. Her inability to drive herself fuels her desire to exert authority over Hoke, creating a rich vein of comedic tension. Hoke, in contrast, embodies a calm, observant, and subtly witty demeanor, responding to Daisy’s demands with a remarkable blend of understanding and quiet defiance.

Why This Works for Auditions

This scene is an excellent choice for auditions due to its clear character objectives, defined relationship dynamic, and strong comedic undertones. It provides ample opportunity for actors to demonstrate their ability to play off a scene partner, handle subtext, and deliver nuanced comedic timing within a realistic framework. The conflict is immediately apparent and offers a compelling showcase for contrasting acting styles.

Best Suited For

This scene is particularly well-suited for character actors aged 55 and above who excel in comedic-drama roles. It’s ideal for those looking to portray strong, opinionated elderly characters (Daisy) or patient, quick-witted working-class individuals (Hoke). Its clear beginning, middle, and end, combined with its contained setting, also make it perfect for self-tapes and drama school auditions.

Performance Tips

When approaching this scene as Daisy, lean into her need for control and her inherent distrust, allowing her vocal and physical choices to reflect her bristling frustration. For Hoke, focus on his calm composure and inner amusement, letting small smiles or subtle shifts in posture convey his patience and occasional dry wit. Both actors should pay close attention to the rhythm and pacing of the dialogue, allowing the humor to arise naturally from the clash of their contrasting personalities.

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