Skip to content
    Film
    duologue
    Drama

    Georges Tells Eve What He Did to His Wife

    from Happy End (2017)

    Written by Michael Haneke

    2 min · 2 characters · Any gender · 55+

    A grandfather confronts his suicidal granddaughter about her secrets and reveals a dark truth about how he ended his wife's suffering.

    Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

    Rehearse this scene
    Rehearse on your terms

    Choose your role and voices for the other characters. Run the scene at your own pace.

    Scene PreviewExcerpt — subscribe to read full scene

    EVE

    Dad says you want to speak to me?

    GEORGES

    No, I don't actually. Would you like some cheese?

    EVE

    No. Thank you. I don’t like cheese.

    GEORGES

    Well then... You need to decide. In or out? Or do you want to keep standing in the doorway? Now close the door, princess, and sit down by me. Are you scared?

    EVE

    No.

    End of preview. Continue with Pro below.

    7 days freeYour next rehearsal starts here

    Found your next scene? Make it yours.

    Start your free trial and read Georges Tells Eve What He Did to His Wife in full, with access to 8,000+ monologues and scenes to explore next.

    • Read the full scene and explore the library
    • Download your script in a clean, printable format
    • Take it into rehearsal with the Script Reader
    Casting Types
    Get Feedback
    Coming Soon

    Want expert coaching on this scene?

    Browse our curated list of acting coaches, dialect specialists, and more.

    Find a Coach

    Need representation?

    Browse verified agents and casting directors in our directory.

    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Michael Haneke for the contemporary drama Happy End, this intense two-minute duologue captures a private confrontation between an elderly grandfather and his granddaughter. After Eve enters the room at her father's request, Georges immediately dispels any polite pretense and asks directly about her recent suicide attempt. As the dialogue unfolds, Georges introduces a family photo album and prepares to share a dark confession regarding how he ended his late wife's suffering, drawing a quiet, unsettling parallel between their mutual encounters with mortality.

    Character Analysis

    Georges is an aging patriarch who uses a wheelchair and has completely discarded social pleasantries. Unimpressed by domestic conventions, he speaks with blunt, penetrating clarity, weaponizing candour to cut through the evasions of his family. Eve is an observant, guarded teenager carrying deep emotional alienation. Caught between defensive resistance and morbid curiosity, she maintains a sullen, watchful exterior to protect her profound inner vulnerability.

    Why This Works for Auditions

    This scene offers actors an exceptional exercise in psychological subtext, stillness, and restraint. Instead of explosive confrontation, the dramatic tension builds through strategic pauses, uncomfortable questions, and unspoken understanding. The material gives an older performer a commanding, unsentimental monologue-driven exchange, while providing a younger actor the challenge of playing high-stakes listening, guarded reluctance, and subtle emotional shifts on camera.

    Best Suited For

    This piece is ideal for self-tapes, agent showcases, drama school auditions, and advanced camera practice. It is particularly well matched for mature performers exploring the Patriarch or Intense casting categories, as well as young actors suited to Teenager, Vulnerable, or Outsider character types seeking complex, dark material.

    Performance Tips

    Actors portraying Georges should resist making him overtly villainous or sentimental. His directness should stem from world-weary pragmatism and a refusal to engage in hollow comfort, so deliver his lines with an unhurried, quiet authority that commands the room. For the actor playing Eve, focus entirely on non-verbal resistance and active listening. Keep your physical posture defensive and your vocal responses spare, allowing the audience to read the conflict between your desire to flee and your compulsion to hear what he has to say.

    No ratings yet
    Sign in to rate