Film
monologue
drama
1 Character

Laszlo's Letter Home

from The Brutalist

Written by Brady Corbet, Mona Fastvold

Laszlo Toth writes a desperate and hopeful letter to his wife, Erzsebet, detailing his efforts to secure her and their niece's passage to America. He explains his connection with an influential attorney and hints at a new architectural opportunity that could change their fortunes.

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LASZLO

Erzsebet, I have become acquainted with an influential American attorney who says he can help you and Zsofia with your situation. Is there somewhere we might find a photograph of you and Zsofia pictured together? Anything linking her to you? I have reached out to colleagues who sometimes attended parties at the house. I am waiting on return…

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Scene Notes & Audition Tips

5 sections
About This Scene

This dramatic monologue features Laszlo, a man separated from his family, as he dictates a heartfelt letter to his wife, Erzsebet. The scene captures his desperate attempts to reunite with her and their niece in America after a significant period of separation. Through his words, Laszlo expresses both vulnerability regarding their predicament and a burgeoning hope stemming from a new professional opportunity and a promising connection with an American attorney.

Character Analysis

Laszlo is a complex individual, displaying a potent mix of determination, vulnerability, and longing. He is proactive in his efforts, meticulously seeking assistance and leveraging any potential advantage, such as his past professional connections. His vulnerability is evident in his heartfelt address to his wife, revealing the emotional toll of their separation, yet his inherent hopefulness shines through as he clings to the possibility of a "second chance" and feels his wife "nearer" to him. He is likely an intelligent and resourceful man, given his professional background and strategic approach to their predicament.

Why This Works for Auditions

This monologue is an excellent choice for auditions as it provides a broad emotional palette for an actor to explore within a concise timeframe. The internal conflict between desperation and hope, combined with the personal stakes of family reunion, allows for a nuanced and compelling performance. Its narrative of overcoming adversity and yearning for connection is universally resonant. Furthermore, the format of a dictated letter naturally lends itself to a focused, internal performance, perfect for demonstrating an actor's ability to create a deep inner life.

Best Suited For

This piece is ideally suited for male actors in their 30s to 50s who can authentically portray a combination of intensity and vulnerability. It's particularly effective for those looking to showcase a leading man or character actor quality, especially if their casting type leans towards "outsider" or "vulnerable." It translates exceptionally well to self-tapes, drama school auditions, and agent showcases where a contained yet powerful dramatic performance is required. Actors with a strong grasp of subtext and emotional depth will excel with this material.

Performance Tips

When performing this monologue, focus on the underlying urgency and the profound yearning for connection. While Laszlo is dictating a letter, ensure the vocal performance feels personal and directed, as if he is speaking directly to Erzsebet. Explore the physical tension that might accompany his determination and the subtle releases when hope emerges. Pay close attention to the shifts in tone as he moves from logistical details about photographs and documents to the more emotional reveal of his "intriguing opportunity," allowing the vulnerability to gradually surface. Consider the weight of each word, particularly in moments where he expresses his enduring love and the increasing sense of her presence.

CharactersLaszlo
Duration1-2 minutes
Age Range30s-50s
Gendermale
Genredrama
PeriodContemporary
Formatmonologue
SourceThe Brutalist
Tonehopeful, longing, determined, vulnerable
AccentHungarian
Suitable Fordrama school audition, agent showcase, self tape, general practice
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