
On her wedding day, Patsy confronts her new husband Alfred about his emotional detachment. She passionately demands that he engage with life and allow her to shape him into the man she needs.
PATSY: Honey, I don't want to hurt you. I want to change you. I want to make you see that there is some value in life, that there is some beauty, some tenderness, some things worth reacting to. Some things worth feeling. But you've got to take some chances some time! What do you want out of life? Ju
Create a free account to explore more
Upgrade to Pro for full access — £6.99/month
Director's Notes
Want expert coaching on this scene?
Browse our curated list of acting coaches, dialect specialists, and more.
Need representation?
Browse verified agents and casting directors in our directory.
How well does this scene match you?
Save your casting profile to see match scores on every scene.
Try Headshot AnalyserGo Pro
£6.99/mo
- ✓ Unlimited scene reading
- ✓ PDF downloads
- ✓ Director's Notes
- ✓ Headshot Analyser
- ✓ Cover Letter Generator
- ✓ Practice Mode
- ✓ Agent Connect
- + 1,000+ scenes
Similar Scenes
Nadine's Breakdown
from The Edge of Seventeen
A high school student reaches a breaking point, confessing her deep-seated feelings of inadequacy and isolation to an adult figure. She grapples with the pressure of her mother's expectations and the grief of losing her father.
The Store Robbery Aftermath
from Thelma & Louise
Following a spontaneous armed robbery at a convenience store, Thelma and Louise speed away in their car. Thelma is exhilarated by her newfound criminal streak while Louise is panicked by the escalating legal stakes of their journey.
Act II — The Ending (Waiting for Godot)
from Waiting for Godot
In the final moments of the play, Vladimir and Estragon contemplate suicide and the possibility of leaving, only to remain trapped in their cycle of waiting for the mysterious Godot.
Act II — The Dog Song and Reunion
from Waiting for Godot
Vladimir opens the second act with a recursive song about a dog before being reunited with a weary and battered Estragon. The scene explores their codependent relationship and the repetitive, cyclical nature of their existence.