Play
duologue
Comedy-Drama

Act II — The Ending (Waiting for Godot)

from Waiting for Godot

Written by Samuel Beckett

Waiting for Godot

In the final moments of the play, Vladimir and Estragon contemplate suicide and the possibility of leaving, only to remain trapped in their cycle of waiting for the mysterious Godot.

Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

Rehearse this scene
Rehearse on your terms

Choose your role and voices for the other characters. Run the scene at your own pace.

Scene PreviewExcerpt — subscribe to read full scene

ESTRAGON

Why don't we hang ourselves?

VLADIMIR

With what?

ESTRAGON

You haven't got a bit of rope?

VLADIMIR

No.

ESTRAGON

Then we can't.

End of preview. Continue with Pro below.

7 days freeYour next rehearsal starts here

Found your next scene? Make it yours.

Start your free trial and read Act II — The Ending (Waiting for Godot) in full, with access to 1,000+ monologues and scenes to explore next.

  • Read the full scene and explore the library
  • Download your script in a clean, printable format
  • Take it into rehearsal with the Script Reader
Casting Types
Get Feedback
Coming Soon

Want expert coaching on this scene?

Browse our curated list of acting coaches, dialect specialists, and more.

Find a Coach

Need representation?

Browse verified agents and casting directors in our directory.

Scene Notes & Audition Tips

5 sections
About This Scene

This short duologue, often referred to as "Act II — The Ending," pulls directly from the iconic modern-classic play *Waiting for Godot*. In these poignant final moments, the two central characters, Vladimir and Estragon, are contemplating escape from their endless, monotonous existence, specifically through suicide. This scene succinctly encapsulates the play's core themes of absurdism, existentialism, and the tragicomedy of the human condition, making it a powerful and impactful piece.

Character Analysis

Vladimir and Estragon are archetypal figures, representing the everyman caught in a perpetual state of waiting and uncertainty. Estragon often embodies the more childlike, instinctual, and suffering aspects, while Vladimir tends to be the slightly more intellectual, philosophical, and patient half of the pair. Both characters, despite their differences, share a deep, unspoken bond and a profound sense of vulnerability as they face their desolate circumstances together, highlighting their co-dependency yet individual struggles with despair.

Why This Works for Auditions

This scene is a fantastic choice for auditions due to its concise nature and rich subtext, allowing actors to showcase a wide range of emotions and intellectual depth within a short timeframe. Its comedic-dramatic tone demands precise delivery and strong character commitment, demonstrating versatility for casting directors. The minimalist dialogue and absurd situation require actors to make bold choices and embrace the unique theatricality of Beckett's writing.

Best Suited For

This duologue is exceptionally well-suited for character actors, everyman types, and those who excel at portraying vulnerable or subtly comedic roles. It is ideal for actors in the 35-45 age range seeking challenging modern-classic material that requires both dramatic heft and a deft comedic touch. This material is particularly effective for drama school auditions, general practice, and acting competitions where impactful, thought-provoking performances are valued.

Performance Tips

When approaching this scene, focus on the subtext and the characters' cyclical desperation rather than just the literal words. Explore the nuances of their relationship and the underlying fear and resignation that drives their actions. Emphasize the physical expression of their futility and the tragicomic rhythm of their exchange, ensuring that even the silences and pauses are filled with meaning and emotional weight.

Explore this topic