Vladimir opens the second act with a recursive song about a dog before being reunited with a weary and battered Estragon. The scene explores their codependent relationship and the repetitive, cyclical nature of their existence.
VLADIMIR: You again! Come here till I embrace you.
ESTRAGON: Don't touch me!
VLADIMIR: Do you want me to go away? Gogo! Did they beat you? Where did you spend the night?
ESTRAGON: Don't touch me! Don't question me! Don't speak to me! Stay with me!
Create a free account to explore more
Upgrade to Pro for full access — £6.99/month
Director's Notes
Want expert coaching on this scene?
Browse our curated list of acting coaches, dialect specialists, and more.
Need representation?
Browse verified agents and casting directors in our directory.
How well does this scene match you?
Save your casting profile to see match scores on every scene.
Try Headshot AnalyserGo Pro
£6.99/mo
- ✓ Unlimited scene reading
- ✓ PDF downloads
- ✓ Director's Notes
- ✓ Headshot Analyser
- ✓ Cover Letter Generator
- ✓ Practice Mode
- ✓ Agent Connect
- + 1,000+ scenes
More from Waiting for Godot
Act II — The Ending (Waiting for Godot)
from Waiting for Godot
In the final moments of the play, Vladimir and Estragon contemplate suicide and the possibility of leaving, only to remain trapped in their cycle of waiting for the mysterious Godot.
Act I — The Twilight Monologue
from Waiting for Godot
Pozzo delivers a dramatic, lyrical description of the fading daylight and the sudden onset of night to Vladimir and Estragon, eventually seeking their validation for his performance.
Act II — Waiting for Godot
from Waiting for Godot
Vladimir and Estragon continue their endless wait for the mysterious Godot. Vladimir experiences a moment of profound existential crisis before being interrupted by a Boy who delivers a message that Godot will not be coming today.
Act II — They give birth astride of a grave
from Waiting for Godot
Pozzo erupts in a nihilistic fury over the nature of time and mortality before departing. Vladimir and Estragon are left alone once more, grappling with loneliness and the futility of their existence.
Similar Scenes
The Replacements - The Quarterback Offer
from The Replacements
Coach McGinty visits Shane Falco at his boat yard to recruit him as a replacement quarterback during a professional football strike. Shane is hesitant and haunted by his past failures, but McGinty challenges him to reclaim his fire and take one last shot at glory.
Being John Malkovich - The Interview
from Being John Malkovich
Craig Schwartz, a struggling puppeteer, interviews for a filing job at the eccentric LesterCorp. The scene highlights the surreal nature of the company's office—located on a floor with half-height ceilings—and establishes the bizarre, existential tone of the workplace.
We Play Dogs
from Nightbitch
A mother defends her unconventional parenting method of roleplaying as dogs to her skeptical husband. She prioritizes her newfound sleep and physical well-being over social norms, highlighting the domestic strain and exhaustion of early motherhood.
The Whore and the Monster
from POOR THINGS
Bella reveals to an outraged Duncan that she has engaged in sex work as both a financial necessity and a social experiment. As Duncan spirals into a hyperbolic, misogynistic breakdown, Bella remains analytically detached, concluding that their romantic adventure has reached its logical end.
