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    Comedy-Drama

    Prospero: Ye Elves of Hills

    from The Tempest

    Written by William Shakespeare

    Prospero bids farewell to his magic and his spirit servant Ariel before addressing the audience directly in the play's famous epilogue, asking for their applause to set him free.

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    PROSPERO

    Now my charms are all o'erthrown,

    And what strength I have's mine own,

    Which is most faint: now, 'tis true,

    I must be here confined by you,

    Or sent to Naples.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This classical monologue features Prospero bidding farewell to his spirit servant Ariel and stepping away from his magic. Shifting into a vulnerable comedy-drama tone, he addresses the audience directly in the celebrated epilogue to ask for their applause and release. The moment serves as a powerful theatrical farewell, trading supernatural control for humble, human reality.

    Character Analysis

    Prospero embodies the traditional authority figure and patriarch who has spent years exercising dominion over his island world. Stripped of his spirits and enchantments, his former arrogance dissolves into genuine vulnerability and self-awareness. He is a commanding leader who must confront his own limitations, trading vengeance for forgiveness and accepting that his strength is now entirely human.

    Why This Works for Auditions

    Running approximately two minutes, this monologue provides a tremendous showcase for verse control and subtle emotional shifts. Shifting cleanly from dramatic leave-taking into meta-theatrical direct address gives auditors an immediate sense of your vocal range, stage presence, and confidence. It demonstrates that you can embody authority while maintaining the genuine softness required for profound vulnerability.

    Best Suited For

    This piece is best suited for male performers in the forty-five to fifty-five age range who align with patriarch, leading man, or authority casting profiles. It functions exceptionally well for drama school auditions, monologue competitions, and general classical practice. Actors seeking a classical audition piece that focuses on quiet truth rather than loud rage will find this selection uniquely rewarding.

    Performance Tips

    Begin the transition by giving genuine weight to your parting words with Ariel, letting the audience sense the true gravity of surrendering your power. As you shift into the direct address, adjust your eyeline to engage the room directly without dropping your inner stakes. Trust the natural rhythm of the verse to carry your thoughts, keeping the physical delivery relaxed and the emotional plea for freedom completely authentic.

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