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    Film
    monologue
    Comedy-Drama
    Drama

    Relationships are Vampires

    from Is This Thing on?

    Written by Bradley Cooper, Will Arnett, Mark Chappell

    Is This Thing on?

    Alex delivers a cynical, profanity-laden rant comparing romantic partners to vampires who drain the happiness and life out of their victims.

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    ALEX

    Fucking relationships suck. And I don’t mean like, they’re a downer, I mean they fucking suck.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    From the contemporary comedy-drama film *Is This Thing on?*, written by Bradley Cooper, Will Arnett, and Mark Chappell, this one-minute monologue is an intense emotional explosion. Alex delivers an unapologetic, profanity-laden rant about the toll of romantic partnerships, comparing lovers to predatory vampires who feed on joy. It offers an immediate, visceral window into a character grappling with deep bitterness following relational devastation.

    Character Analysis

    Alex fits squarely into the archetype of the gritty everyman or cynical anti-hero who has reached his breaking point. Operating within a playing age of his twenties to forties, he channels his inner heartbreak into an aggressive, sharp-tongued intellectual exercise. His intensity masks a profound sense of exhaustion, portraying a man terrified of losing himself entirely to toxic relationship dynamics.

    Why This Works for Auditions

    Running approximately one minute, this piece is an ideal length to capture attention quickly without exhausting the viewer. It allows an actor to demonstrate rapid comedic-dramatic rhythm while keeping high-stakes tension simmering beneath an absurd central metaphor. Audition panels will instantly see your capacity to handle dark comedy, volatile emotional shifts, and naturalistic dialogue with conviction.

    Best Suited For

    This monologue is particularly well suited for self-tapes, agent showcases, and targeted contemporary film auditions. Actors between the ages of twenty-five and thirty-five seeking to pitch themselves as grounded, intense, or outsider character types will find it extremely advantageous. It also serves as great general practice for developing vocal stamina, pacing, and handling aggressive language naturally on camera.

    Performance Tips

    Anchor the performance in genuine hurt rather than leaning solely into loud, unyielding rage. The metaphor of romantic partners as life-draining creatures only works if the audience believes you have truly been hollowed out by someone you once trusted. Modulate your delivery by finding specific moments to drop into quieter desperation, which keeps the profanity punchy and prevents the piece from sounding one-dimensional. Ensure your focus remains laser-sharp on your objective to persuade and protect yourself.

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