The Last Time We Played Pretend

Written by Megan Park for the contemporary comedy-drama film My Old Ass, this two-minute duologue captures an intimate, vulnerable coming-of-age exchange. On the eve of departing for college, Elliott wrestles with the heavy finality of leaving home behind forever. Chad responds with a poignant perspective on how we unknowingly outgrow cherished childhood rituals, encouraging Elliott to pause and savor the transition.

Elliott is suspended on the threshold of adulthood, balancing genuine anticipation with the paralyzing dread of permanent farewells. Unafraid to admit fear, Elliott requires a performer who can balance youthful wit with honest, unguarded insecurity. Chad acts as a compassionate sounding board whose thoughtful nature cuts through the anxiety of the moment. Rather than dismissing the fear of change, Chad reframes it, offering heartfelt emotional clarity disguised in casual, approachable language.

The piece offers an exceptional showcase for young actors because it avoids melodramatic tropes while exploring deeply relatable themes of nostalgia and growing up. The pacing allows both performers to demonstrate rich subtext, active listening, and spontaneous emotional shifts within a compact runtime. Casting directors can immediately assess an actor's ability to handle contemporary comedic-dramatic tone, authentic intimacy, and naturalistic conversational cadence.

Tailored for actors in the 18 to 25 age range, this material suits casting types such as the Ingenue, Boy Next Door, Teenager, Vulnerable, and Everyman. It serves as an ideal selection for drama school auditions, agent showcases, self-tapes, or general partner practice. Any gender can comfortably inhabit these roles, making it versatile for diverse pairings.

Avoid leaning into heavy sentimentality, as the emotional power of the scene relies entirely on relaxed, grounded naturalism. Treat the dialogue as spontaneous discovery rather than a rehearsed speech, letting each insight surprise you as you speak it aloud. Give equal weight to listening; Chad's perspective lands effectively only if Elliott visibly receives the impact of the words. Trust the conversational tone crafted by Megan Park and allow the quiet realizations to breathe naturally.