Film
duologue
drama

The Loneliness of Pleasure and Achievement

from The End of the Tour

Written by Donald Margulies

The End of the Tour

During a press tour, novelist David Foster Wallace discusses the themes of loneliness and the 'tsunami of stuff' in American life with journalist David Lipsky. The conversation shifts into the psychological trap of literary success and the ego's struggle to reconcile artistic integrity with commercial validation.

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Scene PreviewExcerpt — subscribe to read full scene

DAVID

I wanted to write something that had kind of the texture of what life was like in America right now: This enormous tsunami of stuff comin’ at you. And also - it’s not unfun.

LIPSKY

Not at all. It is sort of heavy, though. I mean weight-wise.

DAVID

My friend said when it hit the porch, it sounded like a car bomb going off.

LIPSKY

Who are your…

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Scene Notes & Audition Tips

5 sections
About This Scene

This compelling two-person scene, "The Loneliness of Pleasure and Achievement," unfolds at a food court in the Mall of America, capturing a candid conversation between novelist David and journalist Lipsky. The dialogue delves into profound themes of loneliness, the overwhelming nature of contemporary life, and the intricate relationship between artistic success and personal fulfillment. It offers a glimpse into a mind grappling with the reception of a major literary work while maintaining a grounded, almost self-deprecating perspective.

Character Analysis

David is portrayed as introspective and highly articulate, yet also subtly cynical and deeply aware of the psychological undercurrents of fame and achievement. He exhibits a thoughtful humility regarding his work, even as he dissects its potential impact and the motivations of its readers. Lipsky, on the other hand, embodies a more conventional perspective, pressing David on the external validations of success and reflecting a common understanding of ambition. Both characters are intelligent men, but their approaches to understanding the world and their respective roles within it offer a fascinating contrast.

Why This Works for Auditions

This scene is excellent for auditions because it showcases an actor's ability to handle complex, intellectual dialogue while grounding it in a natural, conversational delivery. The shifts in tone, from philosophical musings to more self-conscious remarks, provide ample opportunity for nuanced performance. It allows actors to demonstrate both their dramatic range and their capacity for subtle humor, making it particularly effective for roles requiring a thoughtful, slightly off-kilter or intensely focused individual.

Best Suited For

This duologue is best suited for male actors in their 30s to 40s who can convincingly portray intellectual depth and a certain world-weariness. It's ideal for those targeting "Leading Man," "Journalist," "Young Professional," "Outsider," or "Intense" casting types. The scene's contemporary setting and themes make it highly relatable, while the specificity of the characters demands a performance rich in particularity, making it perfect for self-tapes, general practice, and agent showcases.

Performance Tips

When approaching this scene, focus on the subtext of David's lines, particularly his desire for his work to resonate deeply contrasted with his aversion to superficial praise. Explore the rhythm of the dialogue, paying attention to when David is genuinely sharing a thought versus when he's carefully curating an image. For Lipsky, consider the active listening and probing questions that drive the conversation forward, revealing his character's own curiosities and assumptions about success. Ground the intellectual content with authentic human reactions and subtle shifts in demeanor to bring these characters to life.

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